F Sequences

Click on an incipit to see an incipit comprising all instruments and voices.

F.1
Stabat mater

1

Sources

C

A-Wdtö (no shelfmark) · A-Wn Mus.Hs.15725 · D-Dl Mus.2968-D-509

Details

Identification

TumW F.1
BalTh B.VIII.4
KliCh Sequences 1
VogIn A.VIII.1

ARKs

ark:68748/ft1f1 (human-readable catalogue entry)
ark:68748/ft1f1.mei (metadata in MEI format)
ark:68748/ft1f1.score (full score)

Scoring

coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vla, vlne, org

Genre

sequence

Place and date of composition

Vienna (?), 1747

Performance(s)

Vienna (18): 1760-03-28, 1761-03-13, 1762-04-02, 1766-03-21, 1767-04-10, 1768[?]-08-18, 1769-03-17, 1769-09-17, 1770-04-06, 1770-09-16, 1771-03-22, 1772-04-10, 1773-04-02, 1774-04-02, 1775-04-02, 1785-09-17, 1786-09-17, and 1787-09-17

References

Eybl (1996), Eybl (2022)

Editions

Music

1 Stabat mater

Tempo	Larghetto
Key	D minor
Meter
Extent	31 bars
Scoring	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vla, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

A-Wdtö (no shelfmark)

RISM

–

Publication, dating

20th century

Scribe(s)

unidentified (ink)

Title page(s)

–

Physical description

–

Components and notes

–

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15725 (digitized version)

RISM

600138806

Publication, dating

1747

Scribe(s)

Joseph Leysser (brown ink), unidentified (brown ink)

Title page(s)

[wrapper]

Stabat Mater overo | Sequenza | per la Meſsa dei 7 Dolori | della Madonna | à | 4 voci in pieno | Partes 24. | Del Sg. Francesco Tuma M: D: C: | di S: M:ta C:ea dell’ Imp:ce Elisabetta | vedova L’Anno 1747.

Physical description

24 parts
28.5 × 23.5 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S coro (3x; 2, 2, 2), A coro (3x; 2, 2, 2), T coro (3x; 2, 2, 2), B coro (3x; 2, 2, 2), cnto (1), fag (1), trb 1 (1), trb 2 (1), vl (2x; 1, 1), vla (2x; 1, 1), vlc (1), vlne (1), org (1), maestro di capella (1)

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-Dl Mus.2968-D-509 (digitized version)

RISM

1001001595

Publication, dating

1890–1910

Scribe(s)

unidentified (black ink)

Title page(s)

[p. 1]

Stabat mater overo | Sequenza per la | Meſsa dei 7 dolori | della Madonna | a | 4 voci inpieno | Del Sig. Francesco Tuma | M. D. C. di s: Mta Cea e dell’ | Impce Elisabetta vedova d. Anno 1747.

Physical description

12 p.
32 × 25 cm
printed staff paper, 14 staves (9 mm)

Components and notes

• from the collection of Otto Schmid

Download metadata

F.2
Stabat mater

1

Sources

C

A-GÖ 1786 · A-Wn SA.67.H.5 · A-Wst MH-9466 · A-Wst MH-9467 · CZ-Bm A 32609:4 · D-B Mus.ms. 22100 · D-B Mus.ms. 22100/1 · D-B Mus.ms. 30180 · D-Dl Mus.2968-D-5 · D-Dl Mus.2968-D-515 · D-LEm PM 7189 · D-MHjk ohne Signatur · D-MÜs SANT Hs 4196 · H-PH Mus.sacr.ant. T 1 · I-Rama A-Mss-523 · RUS-Mk XI-433 · US-Bp M.222.47 (2) · US-R ML96.C127

Details

Identification

TumW F.2
BalTh B.VIII.3
KliCh Sequences 2
VogIn A.VIII.2

ARKs

ark:68748/ft1f2 (human-readable catalogue entry)
ark:68748/ft1f2.mei (metadata in MEI format)
ark:68748/ft1f2.score (full score)

Scoring

coro (S, A, T, B), vlne, org

Genre

sequence

Place and date of composition

Vienna (?), ca. 1750

Performance(s)

Göttweig (9): 1776-03-09, 1777-03-08, 1778-03-28, 1779-03-06, 1780-03-11, 1781-03-24, 1782-03-19, 1783-03-29, and 1784-03-27

Inventories

Herzogenburg inventory (1751, p. 381, no. 11), Herzogenburg inventory (1774, fol. 187v, no. 11), Kiesewetter (1847, p. 84), Riedel (1979, p. 282, no. 1786)

Editions

Plavec (1959), Schmid (1900, no. 5),

Music

1 Stabat mater

Tempo	Adagio
Key	G minor
Meter
Extent	338 bars
Scoring	coro (S, A, T, B), vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Stabat mater dolorosa	Adagio – Andante	G minor		36	coro (S, A, T, B), vlne, org
O quam tristis et afflicta	Adagio	D phrygian		29	coro (S, A, T, B), vlne, org
Quis est homo qui non fleret	Andante	D phrygian		20	coro (S, A, T, B), vlne, org
Pro peccatis suae gentis	Vivace – Adagio – Andante – Adagio	G minor		27	coro (S, A, T, B), vlne, org
Eia mater fons amoris	Larghetto	E♭ lydian		43	coro (S, A, T, B), vlne, org
Sancta mater, istud agas	Un poco adagio	C dorian		23	coro (S, A, T, B), vlne, org
Fac me tecum pie flere	Andante	F dorian		66	coro (S, A, T, B), vlne, org
Virgo virginum praeclara	Tempo giusto	C dorian		27	coro (S, A, T, B), vlne, org
Christe, cum sit hic exire	Adagio – Andante	G minor		67	coro (S, A, T, B), vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-GÖ 1786 (catalogue entry)

RISM

–

Publication, dating

1776

Scribe(s)

P. Marianus (black ink)

Title page(s)

[wrapper]

Stabat Mater. | a | Canto. Alto. | Tenore. Baſso. | Violini 2. | Con | Organo et Violone. | Authore Dno Thuma. | Comparavit RP: | Marianus. 776.

Physical description

8 parts
32.5 × 22 cm
hand-ruled paper, 12 staves (10 mm)

Components and notes

• S coro (10), A coro (10), T coro (10), B coro (10), vl 1 (9), vl 2 (9), vlc (10), org (10)

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

A-Wn SA.67.H.5 (digitized version)

RISM

–

Publication, dating

19th century

Scribe(s)

unidentified (black ink), Raphael Georg Kiesewetter (brown ink, title)

Title page(s)

[fol. 1r, by Raphael Georg Kiesewetter]

(Stabat mater.) | Il Pianto della madre dolorisa | compoſco | a quattro voci in pieno | per clementiſsima Commando della S. G. e R. Maestà di Maria Teresa | Imperatrice regnante | da Francesco Tuma M.D.C. della fà Maeſta l’Imperatrice Elisabetta | di piiſsima memoria. | Ex collect. R. Kiesewetter

Physical description

46 p.
22 × 32 cm
hand-ruled paper, 10 staves (9 mm)

Components and notes

–

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

A-Wst MH-9466 (catalogue entry)

RISM

–

Publication, dating

2nd half 18th century

Scribe(s)

unidentified (black ink), Siegmund Austerlitz (red ink, notes)

Title page(s)

[cover title]

[printed] Franz Tuma | [black ink, by Austerlitz] recte von | [printed] Il pianto della Madre dolorosa. | [remainder by Austerlitz] Ludw: van Beethoven | eigenhändig in Abschrift | genommen

[fol. 1r]

Il Pianto | della Madre dolorosa | composto | à Quattro Voci in pieno | per | Clementiſsimo Commando | della | Sac: Ces: e Real: Ma:ta | di | Maria Teresa | Imperatrice Regnante | Da Francesco Tuma M: D: C: della fù Ma:ta d’Imperadrice | Elisabetta | di piiſsima memoria | [in red ink, by Austerlitz] Beethoven’s Handſchrift

Physical description

47 fol.
23.5 × 33 cm
hand-ruled paper, 10 staves (8 mm)

Components and notes

–

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wst MH-9467 (catalogue entry)

RISM

–

Publication, dating

2nd half 18th century

Scribe(s)

unidentified (black ink), Siegmund Austerlitz (red ink, notes)

Title page(s)

[cover title]

[black ink, by Austerlitz] Die eigenhändige Handschrift | recte | [printed] Franz Tuma | [by Austerlitz] Ludw: van Beethoven | [printed] Il pianto della Madre dolorosa.

Physical description

5 parts
33 × 22.5 cm
hand-ruled paper, 10 staves (12 mm)

Components and notes

• S coro (11), A coro (11), T coro (11), B coro (11), vlc/vlne (10)

Manuscript copy

Classification

notated music · manuscript · copy · score and parts · fair copy · excerpt

Location(s)

CZ-Bm A 32609:4

RISM

–

Publication, dating

1949

Scribe(s)

František Michálek (blue ink)

Title page(s)

[full score, cover]

Fr. Tůma | 1. Miserere mei Deus | 2. Nunc dimittis servum tuum | 3. In te Domine speravi | Partitura | Fr. Michálek

[full score, fol. 1r]

František Tůma | (1704 – 1774) | 1. Miserere mei Deus | 2. Nunc dimittis servum tuum, Domine | 3. In te, Domine, speravi | 4. Fac me tecum | Instrumentivel Fr. Michálek. | (ó 1, 2, 3)

Physical description

20 fol. (28 p.); 49 parts
full score: 34 x 26 cm, printed staff paper, 14 staves (6 mm)
instrumental parts: 34 x 26 cm, printed staff paper, 12 staves (9 mm)
vocal parts: 26 x 17 cm, printed staff paper, 12 staves (8 mm)

Components and notes

• The full score comprises four works: fol. 1r, title; fol. 1v–5r (p. 1–8): first movement of Miserere TumW D.3.7; fol. 5v–8v (p. 9–15): Nunc dimittis TumW D.4.4; fol. 9r–15r (p. 16–28): In te, Domine, speravi TumW D.2.12; fol. 15v–17r (p. 29–32): Fac me tecum from Stabat mater TumW F.2; fol. 17v–20v: empty staves.
• Parts comprise two works: Miserere TumW D.3.7 (first movement, on first page if there are two) and Nunc dimittis TumW D.4.4 (on second page): S coro (11x; each 2), A coro (8x; each 2), T coro (7x; each 2), B coro (8x; each 2), tr (1), fag (1), trb 1 (1), trb 2 (1), vl 1 (3x; 2, 2, 2), vl 2 (3x; 2, 2, 2), vla (2x; 2, 2), b (3x; 2, 2, 2).
• A part for T solo (1) only comprises the Nunc dimittis TumW D.4.4.
• collection: 17 (Brno – soukromá sbírka Františka Michálka)

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-B Mus.ms. 22100

RISM

452514362

Publication, dating

1810

Scribe(s)

unidentified (ink), Georg Poelchau (ink, title)

Title page(s)

[cover title]

Lamento | della santa Virgine, | detto com̅unemente | Lo stabat Mater. | co la Musica | di Tuma. | Maestro di Capella di S. M. J. | a Vienna. | La vita di Tuma. | Nato in Kofteletz, in Boemia l’Anno 1704. istruito nel Contrapunto dal Maestro | Fuchs, divenne Bice-Maestro di Capella dall’Jmper: Carlo VI. nell’Anno 1722. e dopo lo | spazio di 19 anni ricevè il posto di Maestro di Capp. all’attual servizio dell’Jmperatrice Elisabetta | L’anno 1768. andò in un Convento, e l’Anno 1774 terminò la sua vita.

Physical description

13 f.
23 × 31 cm
hand-ruled paper

Components and notes

• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

D-B Mus.ms. 22100/1

RISM

452514375

Publication, dating

ca. 1800

Scribe(s)

unidentified (ink)

Title page(s)

[dust cover]

Tuma | Stabat mater. | à 4 V. | 3 Sopr. | 3 Alt. | 2 Ten. | 2 Bass.

Physical description

18 parts
hand-ruled paper
comprises two sets of 8 and 10 parts (32.5 x 23.5 cm and 17 x 21 cm, respectively)

Components and notes

• S (2x, 3x), A (2x, 3x), T (2x, 2x), B (2x, 2x)
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-B Mus.ms. 30180

RISM

455030909

Publication, dating

2nd half 18th century

Scribe(s)

unidentified (ink)

Title page(s)

–

Physical description

31 p.
hand-ruled paper

Components and notes

• This manuscript comprises several works. The present work is written on f. 24r–39v.
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-Dl Mus.2968-D-5 (digitized version)

RISM

211011670

Publication, dating

1760–1780

Scribe(s)

Johann Adam Hiller (brown ink)

Title page(s)

–

Physical description

20 p.
23.5 × 32 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

–

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-Dl Mus.2968-D-515 (digitized version)

RISM

1001167055

Publication, dating

1890–1900

Scribe(s)

unidentified (black ink)

Title page(s)

[p. 1]

Lamento | della santa Virgine, | detto communemente | Lo stabat Mater. | con la Musica | di Tuma. | Maestro di Capella di S. M. I. | a Vienna.

Physical description

35 p.
35.5 × 27 cm
printed staff paper (C. A. KLEMM. | A. N° 4.), 16 staves (8 mm)

Components and notes

–

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

D-LEm PM 7189

RISM

201004985

Publication, dating

1st half 19th century

Scribe(s)

unidentified (ink)

Title page(s)

[caption title]

Stabat mater [indication of part] di Tuma

Physical description

4 parts
hand-ruled paper

Components and notes

• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

D-MHjk ohne Signatur

RISM

455003089

Publication, dating

1766

Scribe(s)

unidentified (ink)

Title page(s)

[cover]

Stabat mater | à 4 Voc. | Canto, Alto | Tenore, Basso | Con | Organo | Del Sign [“Perolesi” crossed out and corrected:] Thuma | [at right:] In | Usum Seminarii Musici | ad S. Aloysium | Mannheimii | 1766.

Physical description

6 parts
31.5 × 23.5 cm
hand-ruled paper

Components and notes

• S coro (4 f.), A coro (4 f.), T coro (4 f.), B coro (4 f.), org (2x; 4, 4 f.)
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-MÜs SANT Hs 4196

RISM

451022947

Publication, dating

19th century

Scribe(s)

Raphael Georg Kiesewetter (ink)

Title page(s)

[cover]

Il Pianto della madre dolorosa | composto a quattro voci in pieno | per clementissimo commando della S: C. e R. Maestà di Maria | Teresa Imperatrice regnante | da | Francesco Tuma M[aestro] D[i] C[appella] della fù Maestà l’Imperatrice | Elisabetta di piissima memoria.

Physical description

24 f.
32.5 × 24 cm
hand-ruled paper

Components and notes

• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

H-PH Mus.sacr.ant. T 1

RISM

530003478

Publication, dating

ca. 1790

Scribe(s)

unidentified (ink)

Title page(s)

[wrapper]

Stabat Mater | a | 4 Voci | con | Organo | del S. Thuma.

Physical description

5 parts
31 × 23 cm
hand-ruled paper

Components and notes

• S coro, A coro, T coro, B coro, org
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

I-Rama A-Mss-523 (catalogue entry)

RISM

850646989

Publication, dating

1791-1800

Scribe(s)

unidentified (ink)

Title page(s)

[title page]

il Pianto | della Madre Dolorosa | Composto | á quattro voci in pieno | per | Clementissimo commando | della | Sac: Ces: e Real Ma:tá | di Maria Teresa | Imperadrice Regnante | da Francesco Tuma N:D:C: della fú Ma:tá d’Imperadrice Elisabetta | di piissima memoria

Physical description

19 fol.
25 × 36 cm
hand-ruled paper

Components and notes

• catalogued according to catalogue entry and Bartoš (2018, p. 82)

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

RUS-Mk XI-433

RISM

310002147

Publication, dating

1843–1858

Scribe(s)

Fortunato Santini (ink)

Title page(s)

[cover]

Nicola Sala. Resposorj a 4 voci con organo | P. Francesco Ant. Vallotti. Resposorj a 4 voci con organo | Francesco Zannetti. Offertorj a 4 voci con organo. - | Francesco Tuma. Il pianto di Maria Madre dolorosa. a 4 voci con org. | Luigi Caruso. Litanie della Beata Vergina a 4 voci. - | Giov. Maria Nanini. - Lamentazioni a 4 voci. -

[title]

Il pianto di Maria Madre dolorosa | a quattro voci composto | per clementissimo commando di S. M. T. e R. | Maria Teresa Imperatrice regnante | da Francesco Tuma Maestro di Cappella | della fu Maesta l’Imperatrice Elisabetta | di piisima memoria

Physical description

44 p.
22 × 28 cm
hand-ruled paper

Components and notes

• This manuscript comprises several works. The present work is written on p. 300–343.
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

US-Bp M.222.47 (2) (digitized version)

RISM

103270

Publication, dating

1802

Scribe(s)

unidentified (black ink)

Title page(s)

[fol. 1r]

Stabat mater | von | Tuma. | [by different hand] geb. 1704 (in Böhmen), + 1774.

Physical description

31 p.
16 × 23 cm
hand-ruled paper, 10 staves (7 mm)

Components and notes

–

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

US-R ML96.C127

RISM

130617

Publication, dating

ca. 1823

Scribe(s)

unidentified (ink)

Title page(s)

[cover label, vol.1]

Partituren | aelterer Meister | P. I.

[vol.2, p.100]

N.o 15. Stabat mater. [space] Franz Tuma | nat: 2.da Octob.r 1704 in Kostelez in Böhmen | def: anno 1774.

Physical description

26 p.
26 × 34 cm
hand-ruled paper

Components and notes

• This manuscript comprises two volumes with several works. The present work is written on p. 100–125 of volume 2.
• catalogued according to RISM entry

Download metadata

F.3
Stabat mater

1

Sources

C

A-Wgm I 1718 · CZ-Bm A 32609:5 · CZ-Pak 1333 · D-Dl Mus.2968-D-514 · D-OB MO 814

Details

Identification

TumW F.3
BalTh B.VIII.2
KliCh Sequences 3
VogIn A.VIII.3

ARKs

ark:68748/ft1f3 (human-readable catalogue entry)
ark:68748/ft1f3.mei (metadata in MEI format)
ark:68748/ft1f3.score (full score)

Scoring

soli (S, A, T, B), coro (S, A, T, B), 2 trb, 2 vl, vlc, vlne, org

Genre

sequence

Place and date of composition

Vienna (?), mid 18th century

Performance(s)

Ottobeuren (1): 1748-03-30

Inventories

Haberkamp (1986, p. 207), Štefan (1985, p. 252, no. 1393)

Editions

Schmid (1908/9),

Music

1 Stabat mater

Tempo	Larghetto
Key	G minor
Meter
Extent	293 bars
Scoring	soli (S, A, T, B), coro (S, A, T, B), 2 trb, 2 vl, vlc, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Stabat mater dolorosa	Larghetto	G minor		38	soli (T, B), 2 vl, vlne, org
O quam tristis et afflicta	[no tempo]	D phrygian		37	coro (S, A, T, B), 2 trb, 2 vl, vlne, org
Quis est homo qui non fleret	Andante – Larghetto – Andante	G minor		31	soli (S, A, T), 2 vl, vlne, org
Sancta mater, istud agas	[no tempo]	G minor		24	coro (S, A, T, B), 2 trb, 2 vl, vlne, org
Fac me tecum pie flere	Larghetto	C dorian		99	soli (A, T), vl, vlc, vlne, org	vl and vlc solo
Fac me plagis vulnerari	[no tempo] – Adagio – Andante	G minor		64	soli (S, A, T, B), coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wgm I 1718

RISM

–

Publication, dating

mid 18th century

Scribe(s)

unidentified (brown ink)

Title page(s)

[wrapper]

Stabat Mater | à | Soprano | Alto | Tenore | Baſso { in Conc.^to | Violino Primo Conc:^to | Violino Primo Ripp. | Violino 2:^do | Trombone 1^mo | Trombone 2:^do | Con | Organo | Violoncello obligato | Violone | è | 4tro Ripp: | Parti 17 | del Sig: Fran. Tuma | M: d: C: d: S: M: | L’Imperatrice Elisab. [at top center, in different hand:] al Barone du Beine

Physical description

17 parts
30.5 × 22 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo and coro (6), A solo and coro (8), T solo and coro (7), B solo and coro (5), S coro (4), A coro (4), T coro (4), B coro (3), trb 1 (3), trb 2 (3), vl 1 conc (6), vl 1 (4), vl 2 (2x; 4, 4), vla solo (2), vlne (6), org (7)
• Although the title page indicates a solo for vlc, parts comprise a solo for vla.

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · incomplete

Location(s)

CZ-Bm A 32609:5

RISM

–

Publication, dating

1930-04-12

Scribe(s)

Josef Michálek (black ink)

Title page(s)

–

Physical description

2 parts
26 × 16 cm
printed staff paper, 10 staves (9 mm)

Components and notes

• S solo (2), A solo (2)
• collection: 17 (Brno – soukromá sbírka Františka Michálka)
• likely belongs to call number A 32608

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pak 1333

RISM

550268587

Publication, dating

mid 18th century

Scribe(s)

Josef Antonín Sehling (ink), unidentified (ink)

Title page(s)

[wrapper]

Stabat Mater Dolorosa

Physical description

9 parts
hand-ruled paper

Components and notes

• S, A, T, B, trb 1, trb 2, vl 1, vl 2, org
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-Dl Mus.2968-D-514 (digitized version)

RISM

1001001293

Publication, dating

1890–1910

Scribe(s)

unidentified (black ink)

Title page(s)

[p. 1]

Stabat mater | a | 4 voci con rip. | 2 violini [con rip.] | 2 Tromboni. | Violoncello obligato | Violono ed | Organo. | Franz Tuma. | Partizione.

Physical description

74 p.
33 × 25 cm
printed staff paper (No. 402. 12 L), 12 staves (9 mm)

Components and notes

• from the collection of Otto Schmid

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

D-OB MO 814

RISM

450008350

Publication, dating

ca. 1740

Scribe(s)

unidentified (black ink)

Title page(s)

[wrapper]

Stabat Mater. | â | Canto = Alto. | Tenere [sic!] = Baſso. } Concti. | 2. Violini. | Alto Viola | Con | Organo | Auth Thuma.

Physical description

9 parts
29 × 21.5 cm
hand-ruled paper, 10 staves (10 mm)
vlne: 30 x 22 cm, 10 staves (10 mm)

Components and notes

• S solo and coro (4), A solo and coro (4), T solo and coro (4), B solo and coro (3), vl 1 (4), vl 2 (3), vla (2), vlne (4), org (5)

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F.4
Stabat mater

1

Sources

C

A-GÖ 1785 · A-Wst MH-10575

Details

Identification

TumW F.4
KliCh Sequences 5
VogIn A.VIII.5

ARKs

ark:68748/ft1f4 (human-readable catalogue entry)
ark:68748/ft1f4.mei (metadata in MEI format)
ark:68748/ft1f4.score (full score)

Scoring

soli (S, A, T, B), coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Genre

sequence

Place and date of composition

Wien, 1751

Performance(s)

(none documented)

Inventories

Herzogenburg inventory (1751, p. 381, no. 10), Herzogenburg inventory (1774, fol. 187v, no. 10), Riedel (1979, p. 282, no. 1785)

Editions

Music

1 Stabat mater

Tempo	Grave
Key	F dorian
Meter
Extent	276 bars
Scoring	soli (S, A, T, B), coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Stabat mater dolorosa	Grave – Andante	F dorian		26	coro (S, A, T, B), 2 trb, 2 vl, vlne, org
O quam tristis et afflicta	Andante	C dorian		38	soli (S, A, T, B), 2 vl, vlne, org
Pro peccatis suae gentis	Allegro – Adagio	G minor		27	coro (S, A, T, B), 2 trb, 2 vl, vlne, org
Eia mater fons amoris	Largo	F dorian		31	solo (S), vlne, org	a solo instrument has probably been lost during creation of the single known source
Sancta mater, istud agas	Adagio	G minor		27	coro (S, A, T, B), 2 trb, 2 vl, vlne, org
Fac me tecum pie flere	Andante	G minor		43	soli (A, T), 2 vl, vlne, org
Fac me plagis vulnerari	Largo	E♭ major		40	soli (S, A, T, B), 2 trb, vlne, org
Quando corpus morietur	Grave – Andante	F dorian		44	coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-GÖ 1785 (catalogue entry)

RISM

–

Publication, dating

1751

Scribe(s)

unidentified (black ink)

Title page(s)

[modern wrapper]

Stabat Mater | 4 voci | 2 Violini | 2 Tromboni | Org. | descr. 1751 | vollst. W. 671/1 | Thuma Franz | 35

Physical description

9 parts
32.5 × 21 cm
hand-ruled paper, 13 staves (10 mm)

Components and notes

• S solo and coro (4), A solo and coro (4), T solo and coro (4), B solo and coro (4), trb 1 (3), trb 2 (3), vl 1 (4), vl 2 (4), org (4)

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wst MH-10575 (catalogue entry)

RISM

–

Publication, dating

1758

Scribe(s)

unidentified (brown ink)

Title page(s)

[wrapper]

Stabat Mater. | à | 4 Voci Conc:ti | 2 Violini Conc:ti | 2 Tromboni Conc:ti | e | Ripieni | Del Sig. Francesco Tuma | Choris Domus Pfaſsæ | S: J: 758

Physical description

25 parts
two sets of parts:
(1) 16 parts, hand-ruled paper, 30 x 22 cm, 10 staves (12 mm)
(2) 9 parts, hand-ruled paper, 28.5 x 22.5 cm, 10 staves (10 mm)

Components and notes

• S solo and coro (7), A solo and coro (8), T solo and coro (8), B solo and coro (7), S coro (4), A coro (4), T coro (4), B coro (4), trb 1 (6), trb 2 (4), vl 1 (2x; 8, 8), vl 2 (2x; 7, 7), vlc (8), mdc (9); second set: S coro (2x; 4, 4), A coro (2x; 4, 4), T coro (2x; 4, 4), B coro (2x; 4, 4), vl 1 (8)

Download metadata

F.5
Stabat mater

1

Sources

C

A-SEI R 34 · A-Wst ZPM-823/2:4

Details

Identification

TumW F.5

ARKs

ark:68748/ft1f5 (human-readable catalogue entry)
ark:68748/ft1f5.mei (metadata in MEI format)
ark:68748/ft1f5.score (full score)

Scoring

soli (S, A, T, B), coro (S, A, T, B), a-trb, 2 vl, 2 vla, vlne, org

Genre

sequence

Place and date of composition

unknown, mid 18th century

Performance(s)

Seitenstetten (7): 1772-04-02, 1773-03-14, 1774-02-25, 1781-03-10, 1782-03-23, 1783-03-29, and 1784-04-03

References

Blume (1992, vol. 1, p. 149f, vol. 2, p. 101–104), Pfiffig (1975)

Editions

Music

1 Stabat mater

Tempo	Larghetto
Key	G minor
Meter
Extent	361 bars
Scoring	soli (S, A, T, B), coro (S, A, T, B), a-trb, 2 vl, 2 vla, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Stabat mater	Larghetto	G minor		54	solo (T), vl, vla, vlne, org
O quam tristis	Adagio	D minor		27	coro (S, A, T, B), 2 vl, vlne, org
Quis est homo	Andante – Adagio	G minor		54	solo (S), coro (S, A, T, B), 2 vl, vlne, org
Eia mater	Larghetto	F dorian		78	solo (A), a-trb, vlne, org	a-trb solo
Sancta mater	Andante – Più adagio	C dorian		28	coro (S, A, T, B), 2 vl, vlne, org
Fac me tecum	Larghetto	C dorian		52	soli (S, B), 2 vla, vlne, org
Fac me plagis	[no tempo] – Grave – Andante	G minor		68	soli (S, A, T, B), coro (S, A, T, B), 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-SEI R 34

RISM

600026708

Publication, dating

ca. 1772

Scribe(s)

unidentified (brown ink)

Title page(s)

[wrapper]

Stabat Mater | Canto Alto | Tenore Baſso | Violini 2. | Violis 2 | Trombon Solo. | Organo. | Sig: Tuma

Physical description

10 parts
31 × 20 cm
hand-ruled paper, 12 staves (10 mm)

Components and notes

• S solo and coro (5), A solo and coro (5), T solo and coro (5), B solo and coro (5), a-trb (1), vl 1 (4), vl 2 (3), vla 1 (3), vla 2 (2), org (7)

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

A-Wst ZPM-823/2:4 (catalogue entry)

RISM

–

Publication, dating

ca. 1974

Scribe(s)

Alexander Weinmann (black ink)

Title page(s)

–

Physical description

–

Components and notes

• part of the estate of Alexander Weinmann, who copied from the A-SEI source

Download metadata

F.6
Stabat mater

Identifiers
ARK	ark:68748/ft1f6
Sources	D-OB MO 813
Notes
References
Inventories	Haberkamp (1986, p. 207)
Editions

F.7
Stabat mater

Identifiers
ARK	ark:68748/ft1f7
Sources	CZ-Pak 1332
Notes
References
Inventories	Štefan (1985, p. 252, no. 1394)
Editions

F.S1
Stabat mater

1

Sources

C

CZ-Pkřiž XXXV E 137:1 · CZ-Pn XLVI A 266 · CZ-Pn XVI C 74

Details

Identification

TumW F.S1
BalTh B.VIII.1
KliCh Sequences 4
VogIn A.VIII.4

ARKs

ark:68748/ft1fs1 (human-readable catalogue entry)
ark:68748/ft1fs1.mei (metadata in MEI format)
ark:68748/ft1fs1.score (full score)

Author(s)

Anonymus

Scoring

coro (S, A, T, B), 2 vl, vla, vlne, org

Genre

sequence

Place and date of composition

unknown, 2nd half 18th century

Performance(s)

(none documented)

Editions

Music

1 Stabat mater

Tempo	Adagio
Key	C minor
Meter
Extent	32 bars
Scoring	coro (S, A, T, B), 2 vl, vla, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pkřiž XXXV E 137:1

RISM

550266970

Publication, dating

2nd half 18th century

Scribe(s)

unidentified (ink)

Title page(s)

[wrapper]

Motetto dupplex | 1) Stabat mater (1 versus) | 2) Tradiderunt me (Resp. VII. Parasc.) | a | 4 Voci | 2 Violinis | 2 Trombonis Alto Tenore | con | Organo | Tuma Fr.

Physical description

9 parts
29 × 23.5 cm
hand-ruled paper

Components and notes

• S coro, A coro, T coro, B coro, trb 1, trb 2, vl 1, vl 2, org
• old shelfmarks: 787, 829d, 77890
• This shelfmark comprises two works: The sequence Stabat mater TumW F.S1 and the motet Tradiderunt me TumW C.3.22.
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

CZ-Pn XVI C 74

RISM

–

Publication, dating

1901-12-13

Scribe(s)

Ondřej Horník (black ink)

Title page(s)

[fol. 2r]

Stabat mater.

Physical description

4 p.
33 × 25.5 cm
hand-ruled paper, 20 staves (6 mm)

Components and notes

–

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pn XLVI A 266

RISM

–

Publication, dating

1845

Scribe(s)

Alexander Holly (black ink), unidentified (black ink)

Title page(s)

[wrapper]

Stabat mater | a | 4 Vocibus | 2 Violinis | Viola | et | Organo | Authore Tuma | Chori Strahowienſis. | Tuma: Stabat mater. Stimmen.

Physical description

11 parts
33 × 24.5 cm
hand-ruled paper, 12 staves (9 mm)

Components and notes

• S coro (1), A coro (1), T coro (1), B coro (1), vl 1 (2x; 1, 2), vl 2 (2x; 1, 2), vla (1), vlc (2), org (1)
• one vl 1, one vl 2, and vlc part by unidentified hand (dated 1851-03-14), remaining parts by Holly

Download metadata

Bartoš, I. (2018). Podoby a proměny barokního výrazu v hudbě Františka Ignáce Antonína Tůmy (1704–1774) (PhD thesis, Masarykova univerzita). Masarykova univerzita, Brno. Retrieved from https://theses.cz/id/xgsr3u/

Blume, J. (1992). Geschichte der mehrstimmigen Stabat-mater-Vertonungen. München–Salzburg: Katzbichler.

Eybl, M. (1996). Die Kapelle der Kaiserinwitwe Elisabeth Christine (1741–1750) I: Stellung am landesfürstlichen Hof und Hauptkopisten. Studien Zur Musikwissenschaft, 45, 33–66. reproduced in Eybl (2022).

Eybl, M. (2022). Die Kapelle der Kaiserinwitwe Elisabeth Christine 1741–1750. In Sammler*innen. Musikalische Öffentlichkeit und ständische Identität, Wien 1740–1810 (pp. 121–163). Bielefeld: transcript Verlag. https://doi.org/10.14361/9783839462676

Haberkamp, G. (1986). Die Musikhandschriften der Benediktiner-Abtei Ottobeuren (Kataloge Bayerischer Musiksammlungen Band 12). München: G. Henle Verlag.

Herzogenburg inventory. (1751). CATALOGUS Selectiorum Musicalium Chori Ducumburgensis quibus accedunt Instrumenta musica, Diarium Cantus Figuralis, aliarumque functionum Musicae totius Anni e Index Generalis Catalogi Conscripti Anno 1751. Manuscript, A-H Ms 491. Retrieved from https://manuscripta.at/diglit/AT3600-491/0001

Herzogenburg inventory. (1774). CATALOGUS Selectiorum Musicalium Chori Ducumburgensis quibus accedunt Instrumenta musica in fine. Manuscript, A-H Ms 492. Retrieved from https://manuscripta.at/diglit/AT3600-492/0001

Kiesewetter, R. G. (1847). Catalog der Sammlung alter Musik des k. k. Hofrathes Raphael Georg Kiesewetter Edlen von Wiesenbrunn in Wien. Wien: P. P. Mechitharisten.

Pfiffig, A. (1975). Zur Musikgeschichte des Waldviertels: Franz Tuma (1704–1774). Das Waldviertel, 4, 87–88.

Plavec, J. (Ed.). (1959). Stabat mater: H 2703 [Score]. Praha: Artia.

Riedel, F. W. (1979). Der Göttweiger thematische Katalog von 1830. Band 1: Faksimile der Originalhandschrift. Band 2: Historisch-quellenkundliche Bemerkungen, Kommentar und Register. München–Salzburg: Katzbichler. Retrieved from https://db.klostermusiksammlungen.at/catalogs/3

Schmid, O. (Ed.). (1908/9). Duett aus einem Stabat mater: Blätter für Haus- und Kirchenmusik 13 (pp. 34–39) [Score]. Langensalza: Herman Beyer & Söhne.

Schmid, O. (Ed.). (1900). Ausgewählte Chöre und Chorsätze [Score]. Leipzig: Breitkopf & Härtel.

Štefan, J. (1985). Ecclesia Metropolitana Pragensis Catalogus Collectionis Operum Artis Musicae. Pars Secunda: Auctorum Nominibus Signata Opera Manu Scripta L–Z. Praha: Supraphon.