F Sequences

Click on an incipit to see an incipit comprising all instruments and voices.

F.1
Stabat mater

1

Sources

C

A-Wn Mus.Hs.15725 · D-Dl Mus.2968-D-509

Details

Identification

TumW F.1
BalTh B.VIII.4
KliCh Sequences 1
VogIn A.VIII.1

ARKs

ark:68748/ft1f1 (human-readable catalogue entry)
ark:68748/ft1f1.mei (metadata in MEI format)

Scoring

coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vla, vlne, org

Genre

sequence

Place and date of composition

Vienna (?), 1747

Bibliography

Eybl (1996, p. 58)

Editions

Music

1 Stabat mater

Tempo	Larghetto
Key	D minor
Meter
Extent	31 bars
Scoring	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vla, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15725 (digitized version)

RISM

600138806

Publication, dating

1747

Title page(s)

[wrapper]

Stabat Mater overo | Sequenza | per la Meſsa dei 7 Dolori | della Madonna | à | 4 voci in pieno | Partes 24. | Del Sg. Francesco Tuma M: D: C: | di S: M:ta C:ea dell’ Imp:ce Elisabetta | vedova L’Anno 1747.

Physical description

24 parts
28.5 × 23.5 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S coro (3x; 2, 2, 2), A coro (3x; 2, 2, 2), T coro (3x; 2, 2, 2), B coro (3x; 2, 2, 2), cnto (1), fag (1), trb 1 (1), trb 2 (1), vl (2x; 1, 1), vla (2x; 1, 1), vlc (1), vlne (1), org (1), maestro di capella (1)
• A copy by Joseph Leysser and others.
• wrapper (fol. 1r) contains 18 performance dates: 1760-03-28, 1761-03-13, 1762-04-02, 1766-03-21, 1767-04-10, [1768?]-08-18, 1769-03-17, 1769-09-17, 1770-04-06, 1770-09-16, 1771-03-22, 1772-04-10, 1773-04-02, 1774-04-02, 1775-04-02, 1785-09-17, 1786-09-17, and 1787-09-17

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-Dl Mus.2968-D-509 (digitized version)

RISM

1001001595

Publication, dating

1890–1910

Title page(s)

[p. 1]

Stabat mater overo | Sequenza per la | Meſsa dei 7 dolori | della Madonna | a | 4 voci inpieno | Del Sig. Francesco Tuma | M. D. C. di s: Mta Cea e dell’ | Impce Elisabetta vedova d. Anno 1747.

Physical description

12 p.
32 × 25 cm
printed staff paper

Components and notes

• full score from the collection of Otto Schmid
• catalogued according to RISM entry

Download metadata

F.2
Stabat mater

1

Sources	C	A-GÖ 1786 · A-Wn SA.67.H.5 · D-B Mus.ms. 22100 · D-B Mus.ms. 22100/1 · D-B Mus.ms. 30180 · D-Dl Mus.2968-D-5 · D-Dl Mus.2968-D-515 · D-LEm PM 7189 · D-MHjk ohne Signatur · D-MÜs SANT Hs 4196 · H-PH Mus.sacr.ant. T 1 · I-Rsc A-Ms 523 · RUS-Mk XI-433 · US-Bp M.222.47 (2) · US-R ML96.C127
	L	A-H A.24.11, B.28.11

Details

Identification

TumW F.2
BalTh B.VIII.3
KliCh Sequences 2
VogIn A.VIII.2

ARKs

ark:68748/ft1f2 (human-readable catalogue entry)
ark:68748/ft1f2.mei (metadata in MEI format)

Scoring

coro (S, A, T, B), vlne, org

Genre

sequence

Place and date of composition

Vienna (?), ca. 1750

Bibliography

Kiesewetter (1847, p. 84), Riedel (1979, p. 282)

Editions

Music

1 Stabat mater

Tempo	Adagio
Key	G minor
Meter
Extent	338 bars
Scoring	coro (S, A, T, B), vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Stabat mater dolorosa	Adagio – Andante	G minor		36	coro (S, A, T, B), vlne, org
O quam tristis et afflicta	Adagio	D phrygian		29	coro (S, A, T, B), vlne, org
Quis est homo, qui non fleret	Andante	D phrygian		20	coro (S, A, T, B), vlne, org
Pro peccatis suae gentis	Vivace – Adagio – Andante – Adagio	G minor		27	coro (S, A, T, B), vlne, org
Eia mater, fons amoris	Larghetto	E♭ lydian		43	coro (S, A, T, B), vlne, org
Sancta mater, istud agas	Un poco adagio	C dorian		23	coro (S, A, T, B), vlne, org
Fac me tecum pie flere	Andante	F dorian		66	coro (S, A, T, B), vlne, org
Virgo virginum praeclara	Tempo giusto	C dorian		27	coro (S, A, T, B), vlne, org
Christe, cum sit hic exire	Adagio – Andante	G minor		67	coro (S, A, T, B), vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-GÖ 1786

RISM

–

Publication, dating

1776

Title page(s)

[wrapper]

Stabat Mater. | a | Canto. Alto. | Tenore. Baſso. | Violini 2. | Con | Organo et Violone. | Authore Dno Thuma. | Comparavit RP: | Marianus. 776.

Physical description

8 parts
32.5 × 22 cm
hand-ruled paper, 12 staves (10 mm)

Components and notes

• S coro (10), A coro (10), T coro (10), B coro (10), vl 1 (9), vl 2 (9), vlc (10), org (10)
• wrapper (fol. 2v) contains 9 performance dates: 1776-03-09, 1777-03-08, 1778-03-28, 1779-03-06, 1780-03-11, 1781-03-24, 1782-03-19, 1783-03-29, and 1784-03-27

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

A-Wn SA.67.H.5 (digitized version)

RISM

–

Publication, dating

19th century

Title page(s)

[fol. 1r, by Raphael Georg Kiesewetter]

(Stabat mater.) | Il Pianto della madre dolorisa | compoſco | a quattro voci in pieno | per clementiſsima Commando della S. G. e R. Maestà di Maria Teresa | Imperatrice regnante | da Francesco Tuma M.D.C. della fà Maeſta l’Imperatrice Elisabetta | di piiſsima memoria. | Ex collect. R. Kiesewetter

Physical description

46 p.
hand-ruled paper, 10 staves

Components and notes

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-B Mus.ms. 22100

RISM

452514362

Publication, dating

1810

Title page(s)

[cover title]

Lamento | della santa Virgine, | detto com̅unemente | Lo stabat Mater. | co la Musica | di Tuma. | Maestro di Capella di S. M. J. | a Vienna. | La vita di Tuma. | Nato in Kofteletz, in Boemia l’Anno 1704. istruito nel Contrapunto dal Maestro | Fuchs, divenne Bice-Maestro di Capella dall’Jmper: Carlo VI. nell’Anno 1722. e dopo lo | spazio di 19 anni ricevè il posto di Maestro di Capp. all’attual servizio dell’Jmperatrice Elisabetta | L’anno 1768. andò in un Convento, e l’Anno 1774 terminò la sua vita.

Physical description

13 f.
23 × 31 cm
hand-ruled paper

Components and notes

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

D-B Mus.ms. 22100/1

RISM

452514375

Publication, dating

ca. 1800

Title page(s)

[dust cover]

Tuma | Stabat mater. | à 4 V. | 3 Sopr. | 3 Alt. | 2 Ten. | 2 Bass.

Physical description

18 parts
hand-ruled paper
comprises two sets of 8 and 10 parts (32.5 x 23.5 cm and 17 x 21 cm, respectively)

Components and notes

• S (2x, 3x), A (2x, 3x), T (2x, 2x), B (2x, 2x)
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-B Mus.ms. 30180

RISM

455030909

Publication, dating

2nd half 18th century

Title page(s)

–

Physical description

31 p.
hand-ruled paper

Components and notes

• This signature comprises several works. The present work is written on f. 24r–39v.
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-Dl Mus.2968-D-5 (digitized version)

RISM

211011670

Publication, dating

1760–1780

Title page(s)

–

Physical description

20 p.
23.5 × 32 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-Dl Mus.2968-D-515 (digitized version)

RISM

1001167055

Publication, dating

1890–1900

Title page(s)

[p. 1]

Lamento | della santa Virgine, | detto communemente | Lo stabat Mater. | con la Musica | di Tuma. | Maestro di Capella di S. M. I. | a Vienna.

Physical description

35 p.
35.5 × 27 cm
printed staff paper (C. A. KLEMM. | A. N° 4.)

Components and notes

• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

I-Rsc A-Ms 523 (catalogue entry)

RISM

–

Publication, dating

1791–1800

Title page(s)

[title]

il Pianto | della Madre Dolorosa | Composto | á quattro voci in pieno | per | Clementissimo commando | della | Sac: Ces: e Real Ma:tá | di Maria Teresa | Imperadrice Regnante | da Francesco Tuma N:D:C: della fú Ma:tá d’Imperadrice Elisabetta | di piissima memoria

Physical description

19 f.
25 × 36 cm
hand-ruled paper

Components and notes

• catalogued according to catalogue entry and Bartoš (2018, p. 82)

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

US-Bp M.222.47 (2) (digitized version)

RISM

103270

Publication, dating

1802

Title page(s)

[f. 1r]

Stabat mater | von | Tuma. | geb. 1704 (in Böhmen), + 1774.

Physical description

31 p.
16 × 23 cm
hand-ruled paper, 10 staves

Components and notes

• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

US-R ML96.C127

RISM

130617

Publication, dating

ca. 1823

Title page(s)

[cover label, vol.1]

Partituren | aelterer Meister | P. I.

[vol.2, p.100]

N.o 15. Stabat mater. [space] Franz Tuma | nat: 2.da Octob.r 1704 in Kostelez in Böhmen | def: anno 1774.

Physical description

26 p.
26 × 34 cm
hand-ruled paper

Components and notes

• This signature comprises two volumes with several works. The present work is written on p. 100–125 of volume 2.
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

RUS-Mk XI-433

RISM

310002147

Publication, dating

1843–1858

Title page(s)

[cover]

Nicola Sala. Resposorj a 4 voci con organo | P. Francesco Ant. Vallotti. Resposorj a 4 voci con organo | Francesco Zannetti. Offertorj a 4 voci con organo. - | Francesco Tuma. Il pianto di Maria Madre dolorosa. a 4 voci con org. | Luigi Caruso. Litanie della Beata Vergina a 4 voci. - | Giov. Maria Nanini. - Lamentazioni a 4 voci. -

[title]

Il pianto di Maria Madre dolorosa | a quattro voci composto | per clementissimo commando di S. M. T. e R. | Maria Teresa Imperatrice regnante | da Francesco Tuma Maestro di Cappella | della fu Maesta l’Imperatrice Elisabetta | di piisima memoria

Physical description

44 p.
22 × 28 cm
hand-ruled paper

Components and notes

• This signature comprises several works. The present work is written on p. 300–343.
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

H-PH Mus.sacr.ant. T 1

RISM

530003478

Publication, dating

ca. 1790

Title page(s)

[wrapper]

Stabat Mater | a | 4 Voci | con | Organo | del S. Thuma.

Physical description

5 parts
31 × 23 cm
hand-ruled paper

Components and notes

• S coro, A coro, T coro, B coro, org
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-MÜs SANT Hs 4196

RISM

451022947

Publication, dating

19th century

Title page(s)

[cover]

Il Pianto della madre dolorosa | composto a quattro voci in pieno | per clementissimo commando della S: C. e R. Maestà di Maria | Teresa Imperatrice regnante | da | Francesco Tuma M[aestro] D[i] C[appella] della fù Maestà l’Imperatrice | Elisabetta di piissima memoria.

Physical description

24 f.
32.5 × 24 cm
hand-ruled paper

Components and notes

• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

D-MHjk ohne Signatur

RISM

455003089

Publication, dating

1766

Title page(s)

[cover]

Stabat mater | à 4 Voc. | Canto, Alto | Tenore, Basso | Con | Organo | Del Sign [“Perolesi” crossed out and corrected:] Thuma | [at right:] In | Usum Seminarii Musici | ad S. Aloysium | Mannheimii | 1766.

Physical description

6 parts
31.5 × 23.5 cm
hand-ruled paper

Components and notes

• S coro (4 f.), A coro (4 f.), T coro (4 f.), B coro (4 f.), org (2x; 4, 4 f.)
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

D-LEm PM 7189

RISM

201004985

Publication, dating

1st half 19th century

Title page(s)

[caption title]

Stabat mater [indication of part] di Tuma

Physical description

4 parts
hand-ruled paper

Components and notes

• catalogued according to RISM entry

Lost manuscript

Classification

notated music · manuscript · copy · parts · fair copy · lost

Location

A-H A.24.11, B.28.11

Components and notes

–

Download metadata

F.3
Stabat mater

1

Sources

C

A-Wgm I 1718 · CZ-Pak 1333 · D-Dl Mus.2968-D-514 · D-OB MO 814

Details

Identification

TumW F.3
BalTh B.VIII.2
KliCh Sequences 3
VogIn A.VIII.3

ARKs

ark:68748/ft1f3 (human-readable catalogue entry)
ark:68748/ft1f3.mei (metadata in MEI format)

Scoring

soli (S, A, T, B), coro (S, A, T, B), 2 trb, 2 vl, vlc, vlne, org

Genre

sequence

Place and date of composition

Vienna (?), mid 18th century

Bibliography

Haberkamp (1986, p. 207), Štefan (1985, p. 252, no. 1393)

Editions

Music

1 Stabat mater

Tempo	Larghetto
Key	G minor
Meter
Extent	293 bars
Scoring	soli (S, A, T, B), coro (S, A, T, B), 2 trb, 2 vl, vlc, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Stabat mater dolorosa	Larghetto	G minor		38	soli (T, B), 2 vl, vlne, org
O quam tristis et afflicta	[no tempo]	D phrygian		37	coro (S, A, T, B), 2 trb, 2 vl, vlne, org
Quis est homo qui non fleret	Andante – Larghetto – Andante	G minor		31	soli (S, A, T), 2 vl, vlne, org
Sancta mater, istud agas	[no tempo]	G minor		24	coro (S, A, T, B), 2 trb, 2 vl, vlne, org
Fac me tecum pie flere	Larghetto	C dorian		99	soli (A, T), vl, vlc, vlne, org	vl and vlc solo
Fac me plagis vulnerari	[no tempo] – Adagio – Andante	G minor		64	soli (S, A, T, B), coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wgm I 1718

RISM

–

Publication, dating

mid 18th century

Title page(s)

–

Physical description

5 parts

Components and notes

• S, A, T, B, org
• catalogued according to Ball (1900)

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pak 1333

RISM

550268587

Publication, dating

mid 18th century

Title page(s)

[wrapper]

Stabat Mater Dolorosa

Physical description

9 parts
hand-ruled paper

Components and notes

• S, A, T, B, trb 1, trb 2, vl 1, vl 2, org
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-Dl Mus.2968-D-514 (digitized version)

RISM

1001001293

Publication, dating

1890–1910

Title page(s)

[p. 1]

Stabat mater | a | 4 voci con rip. | 2 violini [con rip.] | 2 Tromboni. | Violoncello obligato | Violono ed | Organo. | Franz Tuma. | Partizione.

Physical description

74 p.
33 × 25 cm
printed staff paper (No. 402. 12 L), 12 staves

Components and notes

• a copy from the collection of Otto Schmid
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

D-OB MO 814

RISM

450008350

Publication, dating

ca. 1740

Title page(s)

[wrapper]

Stabat Mater. | â | Canto = Alto. | Tenere [sic!] = Baſso. } Concti. | 2. Violini. | Alto Viola | Con | Organo | Auth Thuma.

Physical description

9 parts
29 × 21.5 cm
hand-ruled paper, 10 staves (10 mm)
vlne: 30 x 22 cm, 10 staves (10 mm)

Components and notes

• S solo and coro (4), A solo and coro (4), T solo and coro (4), B solo and coro (3), vl 1 (4), vl 2 (3), vla (2), vlne (4), org (5)

Download metadata

F.4
Stabat mater

Identifiers	BalTh B.VIII.1 · KliCh Sequences 4 · VogIn A.VIII.4
ARK	ark:68748/ft1f4
Sources	CZ-Pkřiž XXXV E 137 · CZ-Pn XLVI A 266 · CZ-Pn XVI C 74
Notes	CZ-Pkřiž old signature: 787
Literature
Editions

F.5
Stabat mater

1

Sources	C	A-GÖ 1785
	L	A-H A.24.10, B.28.10

Details

Identification

TumW F.5
KliCh Sequences 5
VogIn A.VIII.5

ARKs

ark:68748/ft1f5 (human-readable catalogue entry)
ark:68748/ft1f5.mei (metadata in MEI format)

Scoring

soli (S, A, T, B), coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Genre

sequence

Place and date of composition

Wien, 1751

Bibliography

Riedel (1979, p. 282)

Editions

Music

1 Stabat mater

Tempo	Grave
Key	F dorian
Meter
Extent	276 bars
Scoring	soli (S, A, T, B), coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Stabat mater dolorosa	Grave – Andante	F dorian		26	coro (S, A, T, B), 2 trb, 2 vl, vlne, org
O quam tristis et afflicta	Andante	C dorian		38	soli (S, A, T, B), 2 vl, vlne, org
Pro peccatis suae gentis	Allegro – Adagio	G minor		27	coro (S, A, T, B), 2 trb, 2 vl, vlne, org
Eia mater fons amoris	Largo	F dorian		31	solo (S), vlne, org	a solo instrument has probably been lost during creation of the single known source
Sancta mater, istud agas	Adagio	G minor		27	coro (S, A, T, B), 2 trb, 2 vl, vlne, org
Fac me tecum pie flere	Andante	G minor		43	soli (A, T), 2 vl, vlne, org
Fac me plagis vulnerari	Largo	E♭ major		40	soli (S, A, T, B), 2 trb, vlne, org
Quando corpus morietur	Grave – Andante	F dorian		44	coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-GÖ 1785

RISM

–

Publication, dating

1751

Title page(s)

[modern wrapper]

Stabat Mater | 4 voci | 2 Violini | 2 Tromboni | Org. | descr. 1751 | vollst. W. 671/1 | Thuma Franz | 35

Physical description

9 parts
32.5 × 21 cm
hand-ruled paper, 13 staves (10 mm)

Components and notes

• S solo and coro (4), A solo and coro (4), T solo and coro (4), B solo and coro (4), trb 1 (3), trb 2 (3), vl 1 (4), vl 2 (4), org (4)

Lost manuscript

Classification

notated music · manuscript · copy · parts · fair copy · lost

Location

A-H A.24.10, B.28.10

Components and notes

–

Download metadata

F.6
Stabat mater

Identifiers
ARK	ark:68748/ft1f6
Sources	A-SEI R 34
Notes
Literature	Pfiffig (1975), Blume (1992, vol. 1, p. 149f, vol. 2, p. 101–104)
Editions

F.7
Stabat mater

Identifiers
ARK	ark:68748/ft1f7
Sources	D-OB MO 813
Notes
Literature	Haberkamp (1986, p. 207)
Editions

F.8
Stabat mater

Identifiers
ARK	ark:68748/ft1f8
Sources	CZ-Pak 1332
Notes
Literature	Štefan (1985, p. 252)
Editions

Ball, O. (1900). Thematisches Verzeichnis der Werke von Franz Tuma, 1704-1774]. Universität Wien. Retrieved from https://ubdata.univie.ac.at/AC16857005

Bartoš, I. (2018). Podoby a proměny barokního výrazu v hudbě Františka Ignáce Antonína Tůmy (1704–1774) (PhD thesis, Masarykova univerzita). Masarykova univerzita. Retrieved from https://theses.cz/id/xgsr3u/

Blume, J. (1992). Geschichte der mehrstimmigen Stabat-mater-Vertonungen. Katzbichler, München–Salzburg.

Eybl, M. (1996). Die Kapelle der Kaiserinwitwe Elisabeth Christine (1741–1750) I: Stellung am landesfürstlichen Hof und Hauptkopisten. Studien Zur Musikwissenschaft, 45, 33–66.

Haberkamp, G. (1986). Die Musikhandschriften der Benediktiner-Abtei Ottobeuren (Kataloge Bayerischer Musiksammlungen Band 12). G. Henle Verlag, München.

Kiesewetter, R. G. (1847). Catalog der Sammlung alter Musik des k. k. Hofrathes Raphael Georg Kiesewetter Edlen von Wiesenbrunn in Wien. P. P. Mechitharisten, Wien.

Pfiffig, A. (1975). Zur Musikgeschichte des Waldviertels: Franz Tuma (1704–1774). Das Waldviertel, 4, 87–88.

Riedel, F. W. (1979). Der Göttweiger thematische Katalog von 1830. Band 1: Faksimile der Originalhandschrift. Band 2: Historisch-quellenkundliche Bemerkungen, Kommentar und Register. Katzbichler, München–Salzburg.

Štefan, J. (1985). Ecclesia Metropolitana Pragensis Catalogus Collectionis Operum Artis Musicae. Pars Secunda: Auctorum Nominibus Signata Opera Manu Scripta L–Z. Supraphon, Praha.