C Short liturgical works

Click on an incipit to see an incipit comprising all instruments and voices.

C.1 Graduals

C.1.1
Alleluia confitemini

Identifiers	KliCh Graduals 1 · VogIn A.II.1
ARK	ark:68748/ft1c11
Sources	A-KN 464/4
Notes
References
Inventories	Klosterneuburg inventory B (1831, p. 272, no. 2)
Editions

C.1.2
Iustus ut palma florebit

1

Sources

C

A-KN 464/1 · A-Wgm I 1648:1

Details

Identification

TumW C.1.2
BalTh B.XII.2a
KliCh Graduals 2
VogIn A.II.2

ARKs

ark:68748/ft1c12 (human-readable catalogue entry)
ark:68748/ft1c12.mei (metadata in MEI format)
ark:68748/ft1c12.score (full score)

Scoring

coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Genre

gradual

Place and date of composition

Vienna (?), 1767

Performance(s)

(none documented)

Inventories

Klosterneuburg inventory A (1790, p. 99, no. 4), Klosterneuburg inventory B (1831, p. 272, no. 5), Klosterneuburg inventory E (ca. 1850, p. 42, no. 5)

Editions

Music

1 Iustus ut palma florebit

Tempo	Andante
Key	D major
Meter
Extent	92 bars
Scoring	coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-KN 464/1 (catalogue entry)

RISM

–

Publication, dating

1767

Scribe(s)

unidentified (brown ink)

Title page(s)

[org part, fol. 1r]

Graduale | â | Canto, Alto, | Tenore, Baſso. | Violinis 2bus | Trombonis 2bus Ripnis | con | Organo, e Violone | Authre Fran: Tuma | 1767.

Physical description

16 parts
29 × 22 cm
hand-ruled paper, 10 staves (11 mm)

Components and notes

• S coro (2), A coro (2x; 2, 2), T coro (2x; 2, 2), B coro (2x; 2, 2), trb 1 (2), trb 2 (2), vl 1 (2x; 2, 2), vl 2 (2x; 2, 2), vlne (2x; 2, 2), org (2)

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

A-Wgm I 1648:1

RISM

–

Publication, dating

1767

Scribe(s)

unidentified (brown ink)

Title page(s)

[cover]

I 1648 Musik Vereins Archiv | Graduale & Offertorium | von | F. Tuma | Partitur

[fol. 1r]

Graduale | à | 4 Vocibus | Violinis 2^bus | Trombonis 2^bus Rip:^nis | con | Organo e Violone | Auth^re Franc: Tuma. | 1767.

Physical description

17 fol.
22 × 30 cm
hand-ruled paper, 12 staves (7 mm)

Components and notes

• This shelfmark comprises two works: Iustus ut palma florebit TumW C.1.2 (music on fol. 1v–6r) and Confitebor Domino TumW C.4.1 (fol. 7v–17r).

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C.2 Hymns

C.2.1
Pange lingua

1

Sources

C

A-Wn Mus.Hs.15686

Details

Identification

TumW C.2.1
BalTh B.XIII.1
KliCh Hymns 8
VogIn A.V.1

ARKs

ark:68748/ft1c21 (human-readable catalogue entry)
ark:68748/ft1c21.mei (metadata in MEI format)
ark:68748/ft1c21.score (full score)

Scoring

soli (S, A, T, B), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Genre

hymn

Place and date of composition

Vienna (?), 1742

Performance(s)

Vienna (7): 1743-06-12, 1743-06-16, 1744-06-03, 1745-06-16, 1746-06-08, 1749-06-04, and 1750-05-27

References

Eybl (1996)

Editions

Music

1 Pange lingua

Tempo	Larghetto
Key	E minor
Meter
Extent	161 bars
Scoring	soli (S, A, T, B), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Pange lingua gloriosi	Larghetto	E minor		34	soli (S, A, T, B), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org
Nobis datus, nobis natus	Andante	E minor		58	soli (S, A, T, B), 2 vl, vlne, org
Verbum caro, panem verum	Allegro	C major		15	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org
Tantum ergo sacramentum	Adagio	A minor		19	solo (T), 2 trb, vlne, org	trb 1, 2 solo
Genitori genitoque	[no tempo]	E minor		35	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15686 (catalogue entry)

RISM

600138901

Publication, dating

1742

Scribe(s)

Anton Ristl (brown ink)

Title page(s)

[wrapper]

Pange lingua | à 4 voci | con violini | e | 2 Tromboni | in | Conc: | Parti 24. | Del sg: Franc: Tuma | Maestro di Cap:la Di S: | C: M: L’Imp:ce Elisabetta | Vedova | L’Anno 1742.

Physical description

18 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo and coro (3), A solo and coro (3), T solo and coro (3), B solo and coro (3), S coro (2), A coro (2), T coro (2), B coro (2), cnto (2), fag (2), trb 1 (2), trb 2 (2), vl 1 (3), vl 2 (3), vlc (3), vlne (3), org (3), mdc (3)

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C.2.2
Invictus heros numinis

1

Sources

C

A-Wn Mus.Hs.15682

Details

Identification

TumW C.2.2
BalTh B.II.4
KliCh Hymns 2
VogIn A.V.3

ARKs

ark:68748/ft1c22 (human-readable catalogue entry)
ark:68748/ft1c22.mei (metadata in MEI format)
ark:68748/ft1c22.score (full score)

Scoring

soli (A, T, B), 2 vl, vlne, org

Genre

hymn

Place and date of composition

Vienna (?), 1745

Performance(s)

(none documented)

References

Eybl (1996)

Editions

Music

1 Invictus heros numinis

Tempo	[no tempo]
Key	F major
Meter
Extent	34 bars
Scoring	soli (A, T, B), 2 vl, vlne, org, org
Notes	Vocal and violin parts end after bar 31 and 33, respectively. However, bass parts contain the directives “Tutti” and “Amen”, indicating that a concluding “Amen” should be sung by the choir or the congregation.

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15682 (catalogue entry)

RISM

600137140

Publication, dating

1745

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Hymnus de Sancto | Joanne Nepomuceno | ad Primas vesperas | à 3 voci sole | A: T: e B. | con | Violini, Partes 11 | Del Sg: Francesco Tuma | M: D: C: di S: M: Ces: dell’Imp: | Elisabetta Vedova 1745.

Physical description

11 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• A solo (2), T solo (2), B solo (2), vl 1 (2x; 1, 1), vl 2 (2x; 1, 1), vlc (1), vlne (1), org (1), mdc (1)

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C.2.3
Iam faces lictor ferat

1

Sources

C

A-Wn Mus.Hs.15683

Details

Identification

TumW C.2.3
BalTh B.II.5
KliCh Hymns 3
VogIn A.V.4

ARKs

ark:68748/ft1c23 (human-readable catalogue entry)
ark:68748/ft1c23.mei (metadata in MEI format)
ark:68748/ft1c23.score (full score)

Scoring

solo (B), 2 vl, vlne, org

Genre

hymn

Place and date of composition

Vienna (?), 1745

Performance(s)

(none documented)

References

Eybl (1996)

Editions

Music

1 Iam faces lictor ferat

Tempo	[no tempo]
Key	B♭ major
Meter
Extent	24 bars
Scoring	solo (B), 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15683 (catalogue entry)

RISM

600138754

Publication, dating

1745

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Hymnus de Sancto | Joanne Nepomucene | in secundis vesperis. | Baſso solo | con | Violini. Partes 9. | Del Sg: Francesco Tuma | M: D: C: di S: C: M: dell’Imp: | Elis. vedova 1745.

Physical description

9 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• B solo (1), vl 1 (2x; 1, 1), vl 2 (2x; 1, 1), vlc (1), vlne (1), org (1), mdc (1)

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C.2.4
Iam sol recedit igneus

1

Sources

C

A-Wn Mus.Hs.15684

Details

Identification

TumW C.2.4
BalTh B.II.6
KliCh Hymns 4
VogIn A.V.5

ARKs

ark:68748/ft1c24 (human-readable catalogue entry)
ark:68748/ft1c24.mei (metadata in MEI format)
ark:68748/ft1c24.score (full score)

Scoring

solo (A), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Genre

hymn

Place and date of composition

Vienna (?), 1743

Performance(s)

Vienna (2): 1743-06-13 and 1746-06-04

References

Eybl (1996)

Editions

Music

1 Iam sol recedit igneus

Tempo	Allegro
Key	B♭ major
Meter
Extent	118 bars
Scoring	solo (A), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Iam sol recedit igneus	Allegro – Adagio	B♭ major		27	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org
Te mane laudum carmine	Larghetto	E♭ major		64	solo (A), 2 vl, vlne, org
Patri simulque Filio	Andante – Allegro	B♭ major		27	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15684 (catalogue entry)

RISM

600138782

Publication, dating

1743

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Hymnus in festo | Sanctiſsimæ Trinitatis | à | Contr’Alto Conc: | Con Rip:ni | Partes 24. | Del Sg. Franc: Tuma | M: D: C: Di S: C: M: | L’Imp:ce Elis: Vedova | L’Anno 1743.

Physical description

16 parts
28.5 × 23.5 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• A solo and coro (4), S coro (3), A coro (2), T coro (3), B coro (2x; 3, 2), cnto (2), fag (2), trb 1 (2), trb 2 (2), vl 1 (4), vl 2 (3), vlc (3), vlne (3), org (3), mdc (3)

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C.2.5
Te lucis ante terminum

1

Sources	A	D-B Mus.ms.autogr. Tuma, F. 2 M
	C	A-Wgm I 17565:5 · A-Wn Mus.Hs.15772 · D-B Mus.ms.autogr. Salieri, A. 4/5

Details

Identification

TumW C.2.5
BalTh B.II.2
KliCh Hymns 1
VogIn A.V.6

ARKs

ark:68748/ft1c25 (human-readable catalogue entry)
ark:68748/ft1c25.mei (metadata in MEI format)
ark:68748/ft1c25.score (full score)

Scoring

soli (S, B), 2 vl, vlne, org

Genre

hymn

Place and date of composition

Vienna (?), mid 18th century

Performance(s)

Vienna (4): 1744, 1744[?], 1746, and 1747

Editions

Music

1 Te lucis ante terminum

Tempo	[no tempo]
Key	B♭ major
Meter
Extent	27 bars
Scoring	soli (S, B), 2 vl, vlne, org

Sources

Autograph manuscript

Classification

notated music · manuscript · autograph · score · fair copy · complete

Location(s)

D-B Mus.ms.autogr. Tuma, F. 2 M (digitized version)

RISM

1001020790

Publication, dating

1st half 18th century

Scribe(s)

František Ignác Antonín Tůma (brown ink)

Title page(s)

[fly leaf, fol. 1r, in the hand of Aloys Fuchs]

No: 1. Hymnus | “Te lucis ante terminum etc: etc:” | a | Soprano e Baſso | 2 Violini | et | Organo. | No: 2 e Sonata a due Violini col Baſso | di | Francesco Tuma. | Geb: 1704. Geſt: 1774. | (Partitura autographa) | NB Tuma war ein Schüler des berühmten Giov. Gius. Fux in Wien; | beliebter Kirchen Componist; und Hofkapellmeiſter | der Kaiſerin Eleonore, Wittwe Kaiſer Leopolds I.

[fly leaf, fol. 1v]

Daß dieſes Autograph mit jenem der K. K. Hofbibliothek | mit ſeinen Grundzügen übereinſtimme, wird hiermit be- | ſtätiget. | [right] Wien den 3. September 1832. | Ant. Schmid MP | Scriptor.

[full score, p. 1]

[centered, in Tůma’s hand] Hymnus. [at right, by different hand] Tuma.

Physical description

1 p.
25 × 39 cm
hand-ruled paper, 15 staves (9 mm)

Components and notes

–

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wgm I 17565:5

RISM

–

Publication, dating

1742

Scribe(s)

Anton Ristl (brown ink), Joseph Leysser (brown ink)

Title page(s)

[wrapper]

[by different hand: Vespern und Pſalmen] | Compieta | à | 4 Voci | con Violini | e | Tromboni | in | [added later by Leysser/Ristl: Partes 24.] Conc: | Del Sg: Fran: Tuma | M: D: C: Di S: M: C: | L: Imp:^ce Elisabetta | Vedova. | L’Anno 1742.

Physical description

18 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo and coro (11), A solo and coro (11), T solo and coro (11), B solo and coro (11), S coro (8), A coro (8), T coro (8), B coro (8), cnto (5), fag (5), trb 1 (6), trb 2 (6), vl 1 (8), vl 2 (8), vlc (8), vlne (8), org (11), mdc (9)
• in the mdc part, Qui habitat and the remaining movements are probably in the hand of Leysser; all remaining parts by Ristl
• This manuscript combines six works into a completorium: Cum invocarem TumW D.2.5, In te Domine speravi TumW D.2.12, Qui habitat in adiutorio TumW D.2.23, Ecce nunc benedicite TumW D.2.11, Te lucis ante terminum TumW C.2.5, and Nunc dimittis TumW D.4.4.

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

A-Wn Mus.Hs.15772 (catalogue entry)

RISM

600138923

Publication, dating

1st half 19th century

Scribe(s)

Aloys Fuchs (black ink)

Title page(s)

[fol. 1r, in the hand of Aloys Fuchs]

Hymnus in B. | a | Sopr: e Baſso. 2 Viol: ed Organo | di | Francesco Tuma. | Partitura

Physical description

4 p.
23 × 31 cm
hand-ruled paper, 10 staves (8 mm)

Components and notes

–

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-B Mus.ms.autogr. Salieri, A. 4/5 (digitized version)

RISM

464122530

Publication, dating

1800–1833

Scribe(s)

Raphael Georg Kiesewetter (brown ink)

Title page(s)

[title page, fol. 30r, in the hand of Aloys Fuchs]

Hÿmnus. | a | Soprano et Baſso. | 2 Viol: et Org: | a | Francisco Tuma. | Cap. Mag: | † Vienna 1774. | Partitura | Copiato sull’ Originale dell Autore, che si trovanno | nella Collezione die Aloysio Fuchs a Vienna.

Physical description

3 p.
30 × 23.5 cm
hand-ruled paper, 16 staves (7 mm)

Components and notes

• This manuscript comprises several works. The present work is written on fol. 30r–31v.

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C.2.6
Regis superni nuntia
O altitudo gloriae

1

Sources

C

A-LA 525 · A-Wn Mus.Hs.15681

Details

Identification

TumW C.2.6
BalTh B.II.3
KliCh Hymns 7
VogIn A.V.7

ARKs

ark:68748/ft1c26 (human-readable catalogue entry)
ark:68748/ft1c26.mei (metadata in MEI format)
ark:68748/ft1c26.score (full score)

Scoring

solo (A), a-trb, 2 vl, vlne, org

Genre

hymn

Place and date of composition

Vienna (?), 1741

Performance(s)

(none documented)

References

Eybl (1996), Eybl (2022)

Inventories

Sherman (2001, p. 111, no. 1)

Editions

Anderson (unknownb), Lindberg (unknownb),

Notes

The two surviving copies comprise different lyrics (Vienna: “Regis superni nuntia”; Lambach: “O altitudo gloriae”).

Music

1 Regis superni nuntia

Tempo	Tempo moderato
Key	G minor
Meter
Extent	99 bars
Scoring	solo (A), a-trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Regis superni nuntia	Tempo moderato	G minor		33	solo (A), a-trb, 2 vl, vlne, org	trb solo
Amen	[no tempo]	G minor		66	solo (A), a-trb, 2 vl, vlne, org	trb solo

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-LA 525

RISM

603002305

Publication, dating

1760–1768

Scribe(s)

Stanislaus Reidinger (brown ink)

Title page(s)

[wrapper]

Mottetto | De | [crossed out by other hand: Venerabilj Sacramento] [by the same other hand: Tempore] | Alto Solo | Trombone Solo | 2 | Violinj | Con | Organo e Violone | Partj 6 | Del Sig:re Franc: Tuma | M:D: Capella | D:I: Elis: Vedova

Physical description

6 parts
31 × 22 cm
hand-ruled paper, 11 staves (10 mm)

Components and notes

• A solo (2), a-trb (2), vl 1 (2), vl 2 (2), vlne (2), org (2)

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15681 (digitized version)

RISM

600138880

Publication, dating

1741

Scribe(s)

Joseph Leysser (brown ink), Anton Ristl (brown ink)

Title page(s)

[wrapper]

Inno Per Il Festo. | di S:ta Teresia. | à | Alto Solo con | 2 Violini e | Trombone | Partes [crossed out: 6] 7. | Del Sg.e Franceſco | Thuma Maestro | di Cap:la della | S: C: M: L’Impera: | drice | Elisabetta | Vedova. | 1741

Physical description

7 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• A solo (2), a-trb (2), vl 1 (2), vl 2 (2), vlc (2), org (2), mdc (2)
• vlc and org by Ristl, remaining parts by Leysser

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C.2.7
Placare Christe servulis

1

Sources

C

A-Wn Mus.Hs.15685

Details

Identification

TumW C.2.7
BalTh B.II.7
KliCh Hymns 6
VogIn A.V.8

ARKs

ark:68748/ft1c27 (human-readable catalogue entry)
ark:68748/ft1c27.mei (metadata in MEI format)
ark:68748/ft1c27.score (full score)

Scoring

solo (S), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Genre

hymn

Place and date of composition

Vienna (?), 1741

Performance(s)

Vienna (2): 1742-10-31 and 1743-10-31

References

Eybl (1996)

Editions

Music

1 Placare Christe servulis

Tempo	Larghetto
Key	C dorian
Meter
Extent	130 bars
Scoring	solo (S), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Placare Christe servulis	Larghetto	C dorian		47	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org
Et vos beata per novem	Andante	E♭ lydian		62	solo (S), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org
Amen	[no tempo] – Adagio	C dorian		21	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org	tempo indication in last bar: Adagio

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15685 (digitized version)

RISM

600138862

Publication, dating

1741

Scribe(s)

Joseph Leysser (brown ink), unidentified (brown ink)

Title page(s)

[wrapper]

Hymnus pro Festo | Omnium Sanctorum | à | Soprano Conc: | con | Ripieni Violini | e | Tromboni Conc:ti | Partes 14 | Del Sg: Franceſco | Tuma M: D: C: | die S: C: M: Elisabetta | Imp:ce Vedova. | 1741.

Physical description

17 parts
28.5 × 23.5 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo and coro (3), S coro (2), A coro (2x; 2, 2), T coro (2), B coro (2x; 2, 2), cnto (2), fag (2), trb 1 (2), trb 2 (2), vl 1 (3), vl 2 (3), vlc (4), vlne (4), org (3), mdc (3)
• one A and B part by unidentified hand, remaining parts by Leysser

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C.2.8
Pange lingua

1

Sources

C

CZ-Pn XLVII B 34

Details

Identification

TumW C.2.8

ARKs

ark:68748/ft1c28 (human-readable catalogue entry)
ark:68748/ft1c28.mei (metadata in MEI format)
ark:68748/ft1c28.score (full score)

Scoring

coro (S, A, T, B), vlne, org

Genre

hymn

Place and date of composition

unknown, 1st half 18th century

Performance(s)

(none documented)

Editions

Music

1 Pange lingua

Tempo	[no tempo]
Key	E phrygian
Meter
Extent	30 bars
Scoring	coro (S, A, T, B), vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · score and parts · fair copy · complete

Location(s)

CZ-Pn XLVII B 34

RISM

–

Publication, dating

1st half 19th century

Scribe(s)

Gerlak Strniště (brown ink)

Title page(s)

[wrapper]

Pange lingua gloriosi Corporis | mysterium | Vierſtimmig bearbeitet von Tuma. | Item: | O Herr Jeſu, gieb, daß wir auf dein Wort | mit Andacht hören | Lied vor der Predigt | für | 4 Singstimmen mit Orgelbegleitung | Gerlaci Strnischtie [manu propria] | in Strahof. | (Vokalſtimmen, Orgelparthie et Partitur.)

Physical description

1 full score, 16 parts
full score: 24 x 32 cm, hand-ruled paper, 10 staves (10 mm)
two sets of parts:
(1) 13 parts: 29.5 x 23.5 cm, hand-ruled paper, 12 staves (9 mm)
(2) 3 parts: 33 x 25 cm, hand-ruled paper, 14 staves (10 mm)

Components and notes

• full score (4); first set of parts: S coro (3x; 2, 2, 2), A coro (3x; 2, 2, 2), T coro (3x; 2, 2, 2), B coro (3x; 2, 2, 2), org (2); second set: S (3), T (3), B (3)

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C.3 Motets

C.3.1
O altitudo divitiarum

1

Sources

C

A-Wn Mus.Hs.15716

Details

Identification

TumW C.3.1
BalTh B.VI.15
KliCh Motets 4
VogIn A.IV.1

ARKs

ark:68748/ft1c31 (human-readable catalogue entry)
ark:68748/ft1c31.mei (metadata in MEI format)
ark:68748/ft1c31.score (full score)

Scoring

solo (S), coro (S, A, T, B), cnto, fag, 2 clno, 2 trb, 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1743

Performance(s)

Vienna (11): 174[3]-[?], 174[3]-12-05, 174[4]-06-04, 174[5]-05-03, 174[5]-06-13, 174[5]-09-14, 1746-05-03, 1746-10-16, 1747-12-07, 1748-12-05, and 1750-05-29

References

Eybl (1996)

Inventories

Herzogenburg inventory (1751, p. 165, no. 5), Herzogenburg inventory (1774, fol. 65v, no. 5)

Editions

Music

1 O altitudo divitiarum

Tempo	Adagio
Key	C major
Meter
Extent	113 bars
Scoring	solo (S), coro (S, A, T, B), cnto, fag, 2 clno, 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
O altitudo divitiarum	Adagio	C major		23	coro (S, A, T, B), cnto, fag, 2 clno, 2 trb, 2 vl, vlne, org
Misit de alto	Andante	G major		60	solo (S), 2 vl, vlne, org
Alleluia	Allegro	C major		30	coro (S, A, T, B), cnto, fag, 2 clno, 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15716 (catalogue entry)

RISM

600138877

Publication, dating

1743

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motetto de Tempore | a | Soprano in Conc: | con | Stromenti e Rip:ni | Clarini ad lib:tm | Partes 26. | Del Sg: Franc: Tuma | M: D: C: di S: M: C: | L’Imp:ce Elisabetta | Vedova. 1743.

Physical description

17 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo and coro (3), S coro (2), A coro (2), T coro (2), B coro (2), cnto (2), fag (2), clno 1 (1), clno 2 (1), trb 1 (2), trb 2 (2), vl 1 (3), vl 2 (3), vlc (3), vlne (3), org (3), mdc (3)

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C.3.2
Qui charitate accensus

1

Sources

C

A-Wn Mus.Hs.15717

Details

Identification

TumW C.3.2
BalTh B.VI.16
KliCh Motets 19
VogIn A.IV.2

ARKs

ark:68748/ft1c32 (human-readable catalogue entry)
ark:68748/ft1c32.mei (metadata in MEI format)
ark:68748/ft1c32.score (full score)

Scoring

solo (T), coro (S, A, T, B), cnto, fag, 2 clno, 2 trb, timp, 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1745

Performance(s)

(none documented)

References

Eybl (1996)

Inventories

Herzogenburg inventory (1751, p. 217, no. 21)

Editions

Music

1 Qui charitate accensus

Tempo	Adagio
Key	C major
Meter
Extent	197 bars
Scoring	solo (T), coro (S, A, T, B), cnto, fag, 2 clno, 2 trb, timp, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Qui charitate accensus (Recitativo)	Adagio	C major		16	solo (T), 2 vl, vlne, org
O divinae charitatis fax (Aria)	Andante	A minor		58	solo (T), 2 vl, vlne, org
Amans Dominum (Recitativo)	Adagio	E minor		10	solo (T), 2 vl, vlne, org
Quamvis insons (Aria)	Andante	E minor		86	solo (T), 2 vl, vlne, org
Sanctum pii iuvenum (Coro)	Allegretto	C major		27	coro (S, A, T, B), cnto, fag, 2 clno, 2 trb, timp, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15717 (catalogue entry)

RISM

600138920

Publication, dating

1745

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motettum de Tempore. | à | Tenore solo. | con | Violini | [by different hand:] ed un’ Coro alla fine | [by first hand:] del Sg: Francesco Tuma | M: D: C: di S: M: C:ea dell’Impce | Elisabetta vedova.

Physical description

16 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• T solo and coro (5), S coro (2), A coro (2), T coro (2), B coro (2), cnto (1), fag (1), clno 1 (1), clno 2 (1), timp (1), vl 1 (7), vl 2 (7), vlc (2x; 7, 7), org (7), mdc (7); parts for trb 1/2 probably missing

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C.3.3
Succurre Regina

1

Sources

C

A-GÖ 1636

Details

Identification

TumW C.3.3
KliCh Motets 1
VogIn A.IV.3

ARKs

ark:68748/ft1c33 (human-readable catalogue entry)
ark:68748/ft1c33.mei (metadata in MEI format)
ark:68748/ft1c33.score (full score)

Scoring

solo (S), coro (S, A, T, B), 2 clno, 2 vl, vlne, org

Genre

motet

Place and date of composition

unknown, 1st half 18th century

Performance(s)

Göttweig (7): 1763-02-02, 1779-07-02, 1779-07-16, 1781-08-22, 1781-09-24, 1783-12-15, and 1784-02-02

Inventories

Herzogenburg inventory (1751, p. 193, no. 47), Herzogenburg inventory (1774, fol. 73r, no. 33), Riedel (1979, p. 257, no. 1636)

Editions

Notes

The style of this motet suggests that it is an early work, or even a spurious attribution.

Music

1 Succurre Regina

Tempo	Adagio un poco
Key	C major
Meter
Extent	291 bars (incl. 59 bars da capo)
Scoring	solo (S), coro (S, A, T, B), 2 clno, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Succurre Regina (Recitativo)	Adagio un poco	C major		20	solo (S), 2 vl, vlne, org
Mens erigit se (Aria)	Allegretto – Più allegro – Tempo di prima	G major		158	solo (S), 2 vl, vlne, org
Venite ad Reginam (Choro)	Vivace	C major		22	coro (S, A, T, B), 2 clno, 2 vl, vlne, org
Qui et Matris exaudit	Allegro non presto	C major		91	coro (S, A, T, B), 2 clno, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-GÖ 1636 (catalogue entry)

RISM

–

Publication, dating

1762

Scribe(s)

P. Josephus (black ink)

Title page(s)

[wrapper]

Motetto ex C | de Bea: Virgine M: | à | Canto Conc:to Alto | Tenore Baſso | Violino Primo | Violino Secondo | Clarino Primo | Clarino Secondo | con | Organo | Del Signore Thuma | Comparavit R: P: | Joseph: C: G: | d: 12: 10bris Anno 762

Physical description

9 parts
33 × 21 cm
hand-ruled paper, 12 staves (10 mm)

Components and notes

• S solo and coro (5), A coro (2), T coro (2), B coro (2), clno 1 (1), clno 2 (1), vl 1 (7), vl 2 (7), org (6)
• at end of vl 1, 2, and org: O: A: M: D: G:

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C.3.4
O magnum mysterium

1

Sources

C

A-Wn Mus.Hs.15720

Details

Identification

TumW C.3.4
BalTh B.VI.19
KliCh Motets 11
VogIn A.IV.4

ARKs

ark:68748/ft1c34 (human-readable catalogue entry)
ark:68748/ft1c34.mei (metadata in MEI format)

Scoring

solo (B), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1741

Performance(s)

Vienna (6): 1741-12-25, 1743-12-25, 1744-12-25, 1745, 1745-12-25, and 1746

References

Eybl (1996)

Editions

Hägele (2011), Klinka (1975e)

Music

1 O magnum mysterium

Tempo	Grave
Key	A minor
Meter
Extent	151 bars
Scoring	solo (B), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
O magnum mysterium	Grave	A minor		10	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org
Divini amoris	Larghetto	A minor		42	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org
Obstupescite coeli	Recitativo	C major		11	solo (B), vlne, org
Mortales plaudite	Allegro	C major		51	solo (B), 2 vl, vlne, org
Alleluia	[no tempo]	A minor		37	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15720 (digitized version)

RISM

600139002

Publication, dating

1741

Scribe(s)

Joseph Leysser (brown ink), unidentified (brown ink)

Title page(s)

[wrapper]

Motetto per il festo | di Natale | del Signor Nostro. | à 4 voci | con Violini. | Partes 24. | Del Sg: Franceſco | Tuma M: D: C: | D: S: C: M: Imp:ce | Elisabetta Vedova

Physical description

18 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• B solo and coro (4), S coro (2x; 2, 2), A coro (2x; 2, 2), T coro (2x; 2, 2), B coro (2), cnto (2), fag (2), trb 1 (2), trb 2 (2), vl 1 (4), vl 2 (4), vlc (4), vlne (4), org (4), mdc (4)
• S coro, A coro, cnto, fag, vl 1, and vlc by unidentified hand, remaining parts by Leysser

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C.3.5
Domine in virtute tua

1

Sources

C

A-Wn Mus.Hs.15706

Details

Identification

TumW C.3.5
BalTh B.VI.5
KliCh Motets 13
VogIn A.IV.5

ARKs

ark:68748/ft1c35 (human-readable catalogue entry)
ark:68748/ft1c35.mei (metadata in MEI format)
ark:68748/ft1c35.score (full score)

Scoring

solo (S), 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1745

Performance(s)

Vienna (2): 1747–[?] and 1750-11-30

References

Eybl (1996), Straková (1963), Straková (1965)

Inventories

Brtnice inventory (ca. 1750, p. 111, no. 4)

Editions

Music

1 Domine in virtute tua

Tempo	Adagio
Key	G major
Meter
Extent	178 bars
Scoring	solo (S), 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Domine in virtute tua (Recitativo)	Adagio	G major		11	solo (S), 2 vl, vlne, org
Quoniam praevenisti eum (Aria)	Andantino	D major		113	solo (S), 2 vl, vlne, org
Quoniam rex sperat (Recitativo)	[no tempo]	B phrygian		6	solo (S), vlne, org
Alleluia	Allegro assai	G major		48	solo (S), 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15706 (digitized version)

RISM

600138938

Publication, dating

1745

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motetto per ogni | Tempo | a | Soprano solo | Con Violini. | Partes 12. | Del sg: Francesco Tuma | Maestro di Cap:la di S: C:ea M:tà | dell’Imp:ce Elisabetta Vedova | 1745.

Physical description

9 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo (5), vl 1 (2x; 4, 4), vl 2 (2x; 3, 4), vlc (6), vlne (4), org (4), mdc (6)

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C.3.6
Bonum est confiteri

1

Sources

C

A-Wn Mus.Hs.15705

Details

Identification

TumW C.3.6
BalTh B.VI.4
KliCh Motets 12
VogIn A.IV.6

ARKs

ark:68748/ft1c36 (human-readable catalogue entry)
ark:68748/ft1c36.mei (metadata in MEI format)
ark:68748/ft1c36.score (full score)

Scoring

solo (A), 2 vl, vla, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1746

Performance(s)

Vienna (1): 1746-02-07

References

Eybl (1996)

Editions

Music

1 Bonum est confiteri

Tempo	[no tempo]
Key	G major
Meter
Extent	162 bars
Scoring	solo (A), 2 vl, vla, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Bonum est confiteri	[no tempo]	G major		9	solo (A), vlne, org
Quam magnificata sunt opera	Larghetto	D major		44	solo (A), 2 vl, vla, vlne, org
Nimis profundae factae sunt	Andante moderato	G lydian		23	solo (A), 2 vl, vla, vlne, org
Quam magnificata sunt opera	Larghetto	D major		37	solo (A), 2 vl, vla, vlne, org	mostly da capo of bars 10–53
Quia delectasti me	Recitativo	G major		6	solo (A), vlne, org
Amen	Allegro	G major		43	solo (A), 2 vl, vla, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15705 (digitized version)

RISM

600138908

Publication, dating

1746

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motetto per ogni Tempo. | à mezzo soprano | con | Violini e Viola | Partes. 10. | Del sg: Francesco Tuma Maestro | di Cap:la di S: M: Ces: a dell’Imp:ce | Elisabetta vedova. 1746.

Physical description

10 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• A solo (7), vl 1 (2x; 6, 6), vl 2 (2x; 5, 5), vla (4), vlc (7), vlne (7), org (6), mdc (7)

Download metadata

C.3.7
O, quam suavis est

1

Sources

C

A-Wn Mus.Hs.15714

Details

Identification

TumW C.3.7
BalTh B.VI.13
KliCh Motets 5
VogIn A.IV.7

ARKs

ark:68748/ft1c37 (human-readable catalogue entry)
ark:68748/ft1c37.mei (metadata in MEI format)
ark:68748/ft1c37.score (full score)

Scoring

solo (T), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1744

Performance(s)

Vienna (6): 1744-[?], 1744-[?], 1745-06-[?], 1746-10-[?], 1747[?]-05-07, and 1747[?]-12-07

References

Eybl (1996)

Editions

Klinka (1975b),

Music

1 O, quam suavis est

Tempo	Adagio
Key	E minor
Meter
Extent	129 bars
Scoring	solo (T), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
O, quam suavis est	Adagio	E minor		56	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org
O salutaris hostia	Larghetto – Allegro assai – Larghetto	A minor		45	solo (T), trb, 2 vl, vlne, org	a-trb solo
Alleluia	Allegro	E minor		28	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15714 (digitized version)

RISM

600138857

Publication, dating

1744

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motetto del Santiſsimo. | à | Tenore voce | 2 Violini | e | Trombone Imo in Conc: | Con Rip:ni | Partes 24. | Del Sg: Francesco Tuma | M: D: C: di S: M: C: dell’Impce | Elisabetta Vedova 1744.

Physical description

16 parts
28.5 × 23.5 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• T solo and coro (5), S coro (3), A coro (3), T coro (3), B coro (2x; 3, 3), cnto (2), fag (2), trb 1 (4), trb 2 (3), vl 1 (4), vl 2 (4), vlc (4), vlne (4), org (4), mdc (4)

Download metadata

C.3.8
Vilescit mihi mundus

1

Sources

C

A-Wn Mus.Hs.15702

Details

Identification

TumW C.3.8
BalTh B.VI.1
KliCh Motets 20
VogIn A.IV.8

ARKs

ark:68748/ft1c38 (human-readable catalogue entry)
ark:68748/ft1c38.mei (metadata in MEI format)
ark:68748/ft1c38.score (full score)

Scoring

solo (A), 2 vl, vla, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1750

Performance(s)

(none documented)

References

Eybl (1996)

Editions

Music

1 Vilescit mihi mundis

Tempo	Adagio
Key	E minor
Meter
Extent	453 bars
Scoring	solo (A), 2 vl, vla, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Vilescit mihi mundis (Recitativo)	Adagio	E minor		16	solo (A), 2 vl, vla, vlne, org
O ter beatum cor (Aria)	Allegretto	A minor		335	solo (A), 2 vl, vla, vlne, org
Inter tanta pericla (Recitativo)	Adagio	E minor		18	solo (A), vlne, org
O vera sincera (Aria)	Allegro ma non presto	E minor		84	solo (A), 2 vl, vla, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15702 (digitized version)

RISM

600138803

Publication, dating

1750

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motettum | de | Tempore | Alto solo | con | Violini e Viola. | Partes 10. | Del Sg: Franc: Tuma | M: D: C: di S: C: M: | dell’Imp:ce Elisabetta | Vedova | 1750.

Physical description

10 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• A solo (10), vl 1 (2x; 7, 7), vl 2 (2x; 6, 6), vla (6), vlc (10), vlne (10), org (10), mdc (10)

Download metadata

C.3.9
Per labra nectar bibitur

1

Sources

C

A-GÖ 1637 · A-Wn Mus.Hs.15709

Details

Identification

TumW C.3.9
BalTh B.VI.8
KliCh Motets 15
VogIn A.IV.9

ARKs

ark:68748/ft1c39 (human-readable catalogue entry)
ark:68748/ft1c39.mei (metadata in MEI format)
ark:68748/ft1c39.score (full score)

Scoring

solo (A), vl, vla, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1750

Performance(s)

(none documented)

References

Eybl (1996), Straková (1963), Straková (1965)

Inventories

Brtnice inventory (ca. 1750, p. 111, no. 6), Riedel (1979, p. 257, no. 1637)

Editions

Music

1 Per labra nectar bibitur

Tempo	Larghetto
Key	D major
Meter
Extent	125 bars (incl. 46 bars da capo)
Scoring	solo (A), vl, vla, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Per labra nectar bibitur	Larghetto	D major		46	solo (A), vl, vla, vlne, org
Si virgo mecum vixeris	Andante	G lydian		33	solo (A), vl, vla, vlne, org
Per labra nectar bibitur	Larghetto	D major		46	solo (A), vl, vla, vlne, org	da capo of the first 46 bars

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15709 (digitized version)

RISM

600139027

Publication, dating

1748

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motettum de B: V: M: | Alto solo | con | Violino | e | Viola | Partes 7. | del Sg: Francesco Tuma | M: D: C: di S: M: C: dell’Imp: | Elis: vedova. 1748.

Physical description

7 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• A solo (3), vl (3), vla (3), vlc (2), vlne (2), org (3), mdc (2)

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-GÖ 1637 (catalogue entry)

RISM

–

Publication, dating

mid 18th century

Scribe(s)

unidentified (black ink)

Title page(s)

–

Physical description

4 parts
33.5 × 22 cm
hand-ruled paper, 12 staves (11 mm)

Components and notes

• A solo (2), vl (2), vla (2), org (2)

Download metadata

C.3.10
Firmamentum et refugium

1

Sources

C

A-Wn Mus.Hs.15710

Details

Identification

TumW C.3.10
BalTh B.VI.9
KliCh Motets 18
VogIn A.IV.10

ARKs

ark:68748/ft1c310 (human-readable catalogue entry)
ark:68748/ft1c310.mei (metadata in MEI format)
ark:68748/ft1c310.score (full score)

Scoring

solo (S), 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1746

Performance(s)

Vienna (4): 1746-[?], 1746-04-[?], 1747-04-[?], and 1748-06-[?]

References

Eybl (1996), Straková (1963), Straková (1965)

Inventories

Brtnice inventory (ca. 1750, p. 111, no. 2)

Editions

Music

1 Firmamentum et refugium

Tempo	Adagio
Key	D major
Meter
Extent	155 bars
Scoring	solo (S), 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Firmamentum et refugium	Adagio	D major		9	solo (S), 2 vl, vlne, org
Si consistant	Allegro	D major		62	solo (S), 2 vl, vlne, org
Si exurgat	Recitativo	E minor		5	solo (S), vlne, org
Alleluia	Allegro	D major		79	solo (S), 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15710 (catalogue entry)

RISM

600138737

Publication, dating

1746

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motettum de Tempore. | a | Soprano solo | cum | Violinis Conc: | Partes 9. | Del Sg: Francesco Tuma | Maestro di Cap:la di S: C: M: | dell’Imp:ce Elisabetta Vedova | 1746

Physical description

9 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo (4), vl 1 (2x; 4, 4), vl 2 (2x; 3, 3), vlc (4), vlne (4), org (4), mdc (4)

Download metadata

C.3.11
Adeste animae

1

Sources

C

A-Wn Mus.Hs.15715

Details

Identification

TumW C.3.11
BalTh B.VI.14
KliCh Motets 6
VogIn A.IV.11

ARKs

ark:68748/ft1c311 (human-readable catalogue entry)
ark:68748/ft1c311.mei (metadata in MEI format)
ark:68748/ft1c311.score (full score)

Scoring

soli (S, A), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1741

Performance(s)

Vienna (7): 1741-06-05, 1741-08-25, 1742-08-26, 1743-03-08, 1743-06-18, 1746-01-09, and 1749-05-22

References

Eybl (1996)

Editions

Klinka (1975a),

Music

1 Adeste animae

Tempo	Larghetto
Key	D major
Meter
Extent	191 bars
Scoring	soli (S, A), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Adeste animae	Larghetto	D major		77	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org
Dat carnem et dat sanguinem	Andante	B minor		37	soli (S, A), 2 vl, vlne, org
Adeste animae	Larghetto	D major		77	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org	da capo of the first 77 bars

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15715 (digitized version)

RISM

600138897

Publication, dating

1741

Scribe(s)

Copyist E (brown ink)

Title page(s)

[wrapper]

Motetto. | del Santiſsimo | à 4 | Con Stromenti. | Del Sig: Franc: Tuma | Maestro di Cappella | di S: M: C: Imperatrice | Elisabette.

Physical description

16 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo and coro (3), A solo and coro (3), S coro (1), A coro (1), T coro (1), B coro (1), cnto (1), fag (1), trb 1 (1), trb 2 (1), vl 1 (1), vl 2 (1), vlc (3), vlne (3), org (3), mdc (3)

Download metadata

C.3.12
Laudes Mariae resonans
Jesu Redemptor omnium

1

Sources

C

A-Wdtö (no shelfmark) · A-Wgm I 2767 · A-Wn Mus.Hs.15719 · CZ-Bm A 14651 · D-Dl Mus.2968-E-501

Details

Identification

TumW C.3.12
BalTh B.II.1, B.VI.18
KliCh Motets 10, Hymns 5
VogIn A.IV.12, A.V.2

ARKs

ark:68748/ft1c312 (human-readable catalogue entry)
ark:68748/ft1c312.mei (metadata in MEI format)
ark:68748/ft1c312.score (full score)

Scoring

soli (S, A, T, B), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1744

Performance(s)

Dub nad Moravou (1): 1780-09-24
Vienna (6): 1742, 1744, 1744-08-[?], 1744-12-08, 1747[?]-07-24, and 1747-11-21

References

Eybl (1996)

Editions

Klinka (1975d), Schmid (1902),

Notes

This work is available with two different texts (and thus has been catalogued twice in the previous catalogues): Laudes Mariae resonans in the A-Wn and CZ-Bm sources, and Jesu Redemptor omnium in the A-Wgm and D-Dl sources.

Music

1 Laudes Mariae resonans

Tempo	[no tempo]
Key	A major
Meter
Extent	134 bars
Scoring	soli (S, A, T, B), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Laudes Mariae resonans	[no tempo]	A major		31	solo (T), 2 vl, vlne, org	A-Wgm/D-Dl: Jesu Redemptor omnium
Tu sancta spes fides	Largo	F♯ minor		20	soli (S, A), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org	A-Wgm/D-Dl: Tu lumen et splendor
Sint pura nobis pectora	Andante	D major		32	solo (B), 2 vl, vlne, org	A-Wgm/D-Dl: Memento rerum conditor
Summae Mater clementiae	Largo	A major		18	soli (S, A), vlne, org	A-Wgm/D-Dl: Jesu tibi sit gloria
In sempiterna saecula	[no tempo]	A major		33	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org	four half notes per bar

Sources

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

A-Wdtö (no shelfmark)

RISM

–

Publication, dating

ca. 1900

Scribe(s)

Otto Ball (black ink)

Title page(s)

–

Physical description

–

Components and notes

–

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · incomplete

Location(s)

A-Wgm I 2767

RISM

–

Publication, dating

mid 18th century

Scribe(s)

Copyist E (brown ink)

Title page(s)

[wrapper]

Hymnus. | In Nativitate Domini | à 4 | con Instrumenti | Partes. 24. | Del Sig: Francesco Tuma | Maestro di Cappella della | Imperatrice Elisabete.

Physical description

22 parts
30 × 22 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo and coro (2), A solo and coro (2), T solo and coro (3), B solo and coro (3), S coro (2x; 2, 2), A coro (2x; 2, 2), T coro (2x; 1, 2), B coro (2x; 2, 1), cnto (2), fag (1), vl 1 (2x; 3, 3), vl 2 (2x; 3, 3), vlc (3), vlne (3), org (4), mdc (4); trb 1 and 2 likely missing
• lyrics: Jesu Redemptor omnium

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15719 (digitized version)

RISM

600139013

Publication, dating

1744

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motetto della Madonna. | à | 4 voci | con | Violini in Conc: | Partes 24. | Del Sg: Francesco Tuma | M: D: C: die S: M: C: dell’ | Imp:ce Elisabetta vedova.

Physical description

18 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo and coro (2), A solo and coro (2), T solo and coro (3), B solo and coro (3), S coro (2), A coro (2), T coro (2), B coro (1), cnto (1), fag (1), trb 1 (2), trb 2 (2), vl 1 (3), vl 2 (3), vlc (4), vlne (3), org (4), mdc (4)
• lyrics: Laudes Mariae resonans

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Bm A 14651

RISM

553004055

Publication, dating

1768–1780

Scribe(s)

Jan Kops (ink)

Title page(s)

[wrapper]

Offertorium | De Beata | à | 4 Vocibus | Violinis 2 | Violae 2 ô Tromb Obl: | et | Organo | Authore Thuma | Pro Choro Mariano Dubensi | obtulit Joannes Kops p:t: Capellanus | Dubae mpria

Physical description

9 parts
34 × 22 cm
hand-ruled paper

Components and notes

• S solo and coro (1 fol.), A solo and coro (1 fol.), T solo and coro (2 fol.), B solo and coro (1 fol.), trb 1 (1 fol.), trb 2 (1 fol.), vl 1 (1 fol.), vl 2 (1 fol.), org (2 fol.)

• lyrics: Laudes Mariae resonans

• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

D-Dl Mus.2968-E-501 (digitized version)

RISM

1001166556

Publication, dating

1890–1910

Scribe(s)

unidentified (black ink)

Title page(s)

[p. 1]

[in blue pencil:] Weihnachts-Hymnus | [in black ink:] Hymnus | in nativitate Domini | a | 4 voci con rip. | 2 violini | Cornetto rip. | Fagotto rip. | Violoncello | Violono ed | Organo. | Franz Tuma. | [in pencil: considerations on dating]

Physical description

30 p.
33 × 25 cm
printed staff paper (“N^o 402. 12 L.”), 12 staves (7 mm)

Components and notes

• from the collection of Otto Schmid
• lyrics: Jesu Redemptor omnium

Download metadata

C.3.13
Almo factori omnium

1

Sources

C

A-Wn Mus.Hs.15711

Details

Identification

TumW C.3.13
BalTh B.VI.10
KliCh Motets 3
VogIn A.IV.13

ARKs

ark:68748/ft1c313 (human-readable catalogue entry)
ark:68748/ft1c313.mei (metadata in MEI format)
ark:68748/ft1c313.score (full score)

Scoring

soli (A, T, B), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1742

Performance(s)

Vienna (8): 1742-11-07, 1743-01-01, 1743-06-[?], 1744-01-01, 174[4/5]-03-19, 174[5/6]-03-19, 174[5/6]-11-25, and 1747-01-06

References

Eybl (1996), Straková (1963), Straková (1965)

Inventories

Brtnice inventory (ca. 1750, p. 111, no. 5)

Editions

Anderson (unknowna), Lindberg (unknowna),

Music

1 Almo factori omnium

Tempo	Andante
Key	F major
Meter
Extent	135 bars
Scoring	soli (A, T, B), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Almo factori omnium	Andante	F major		34	solo (A), trb, vlne, org	a-trb solo
Cuius summa potentia	[no tempo]	D minor		60	soli (T, B), 2 vl, vlne, org
Qui hanc coepere cupidi	Largo	D minor		6	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org
In sempiterna saecula	[no tempo]	F major		35	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org	four half notes per bar

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15711 (digitized version)

RISM

600138727

Publication, dating

1742

Scribe(s)

Joseph Leysser (brown ink), Anton Ristl (brown ink)

Title page(s)

[wrapper]

Motetto de Tempore | à 3 voci | A: T: e B con | 2 Violini e Trombo:Imo | in Conc: | Partes 24. | Del Sg: Francesco Tuma | Maestro di Cap:la Di | S: C: M: L’Imp:ce Elis: | Vedova.

Physical description

17 parts
28 × 23.5 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• A solo and coro (3), T solo and coro (2), B solo and coro (2), S coro (2), A coro (2), T coro (2), B coro (2), cnto (1), fag (1), trb 1 (3), trb 2 (1), vl 1 (3), vl 2 (3), vlc (4), vlne (4), org (3), mdc (4)
• org by Leysser, remaining parts by Ristl

Download metadata

C.3.14
Voluntarie sacrificabo tibi

1

Sources

C

A-Wn Mus.Hs.15703 · D-OB MO 812

Details

Identification

TumW C.3.14
BalTh B.VI.2
KliCh Motets 9
VogIn A.IV.14

ARKs

ark:68748/ft1c314 (human-readable catalogue entry)
ark:68748/ft1c314.mei (metadata in MEI format)
ark:68748/ft1c314.score (full score)

Scoring

solo (B), 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1743

Performance(s)

Vienna (2): 1744-06-08 and 1748-06-29

References

Eybl (1996)

Inventories

Haberkamp (1986, p. 206)

Editions

Music

1 Voluntarie sacrificabo tibi

Tempo	Adagio
Key	D minor
Meter
Extent	98 bars (including 18 bars da capo)
Scoring	solo (B), 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Voluntarie sacrificabo tibi (Recitativo)	Adagio	D minor		19	solo (B), 2 vl, vlne, org
Inter reas manus (Aria)	Andante	D minor		18	solo (B), 2 vl, vlne, org
Hic est sita cordis vita	Allegretto	A minor		43	solo (B), 2 vl, vlne, org
Inter reas manus	Andante	D minor		18	solo (B), 2 vl, vlne, org	da capo of bars 20–37, written out in the A-Wn source

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15703 (catalogue entry)

RISM

600138788

Publication, dating

1743

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motetto del Sant:mo | Sacramento | à | Baſso solo | con | 2. Violini | Partes 9 | Del Sg: Franc: Tuma | M: D: C: Di S:a M: C:e | dell’Imp:ce Elisabetta | Vedova | L’Anno 1743.

Physical description

9 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• B solo (3), vl 1 (2x; 3, 3), vl 2 (2x; 3, 3), vlc (3), vlne (3), org (4), mdc (4)

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

D-OB MO 812

RISM

450008348

Publication, dating

ca. 1740

Scribe(s)

unidentified (black ink)

Title page(s)

[wrapper]

Offertorium pro | Solemnitate Neo Mystæ. | primam Miſsam | celebrantis. | â | Baſso Solo. | Con | Violini | et | Organo.. | Del Sig: Tuma.

Physical description

4 parts
33 × 21 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• B solo (6), vl 1 (6), vl 2 (6), org (5)
• This source comprises the recitativo and aria of both Domine Deus omnium creator TumW C.3.16 and Voluntarie sacrificabo tibi TumW C.3.14.

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C.3.15
O admirabile commercium

1

Sources

C

A-Wn Mus.Hs.15704

Details

Identification

TumW C.3.15
BalTh B.VI.3
KliCh Motets 14
VogIn A.IV.15

ARKs

ark:68748/ft1c315 (human-readable catalogue entry)
ark:68748/ft1c315.mei (metadata in MEI format)
ark:68748/ft1c315.score (full score)

Scoring

solo (S), 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1746

Performance(s)

Vienna (4): 1746-02-[?], 1746-09-[?], 1746-12-[?], and 1748-12-[?]

References

Eybl (1996)

Editions

Music

1 O admirabile commercium

Tempo	[no tempo]
Key	D minor
Meter
Extent	169 bars
Scoring	solo (S), 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
O admirabile commercium (Recitativo)	[no tempo]	D minor		7	solo (S), vlne, org
Salve virgo puerpera	Andante	G minor		115	solo (S), 2 vl, vlne, org
Sicut lilium inter spinas (Recitativo)	[no tempo]	D minor		5	solo (S), vlne, org
Alleluia	Allegro	D minor		42	solo (S), 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15704 (catalogue entry)

RISM

600138833

Publication, dating

1746

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motettum de B:ma M: V: | à | Soprano solo | con | Violini. | Partes 9. | Del Sg: Francesco Tuma Maestro | di Cp:ls di S: M: C:a dell’Imp:ce Elisa= | =betta vedova. 1746

Physical description

9 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo (4), vl 1 (2x; 4, 4), vl 2 (2x; 4, 4), vlc (4), vlne (4), org (4), mdc (4)

Download metadata

C.3.16
Domine Deus creator omnium

1

Sources

C

A-Wn Mus.Hs.15707 · D-OB MO 812

Details

Identification

TumW C.3.16
BalTh B.VI.6
KliCh Motets 7
VogIn A.IV.16

ARKs

ark:68748/ft1c316 (human-readable catalogue entry)
ark:68748/ft1c316.mei (metadata in MEI format)
ark:68748/ft1c316.score (full score)

Scoring

solo (B), 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1743

Performance(s)

Vienna (3): 1743-03-25, 1743-06-04, and 1746-06-01

References

Eybl (1996)

Inventories

Haberkamp (1986, p. 206)

Editions

Music

1 Domine Deus creator omnium

Tempo	Adagio
Key	G minor
Meter
Extent	158 bars
Scoring	solo (B), 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Domine Deus creator omnium (Recitativo con stromenti)	Adagio	G minor		18	solo (B), 2 vl, vlne, org
Quino meus verbo Deus (Aria)	Larghetto	G minor		109	solo (B), 2 vl, vlne, org	D-OB source replaces bars 80–90 with an alternative section comprising 37 bars
Alleluia	Allegro	G minor		31	solo (B), 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15707 (catalogue entry)

RISM

600138929

Publication, dating

1743

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motetto del santiſs:mo | à | Baſso solo | con Violino | Partes 9 | Del Sg: Francesco Tuma | Maestro di Cap:la D: S: | M: C: L’Imp:ce Elisa: vedov | L’Anno 1743.

Physical description

9 parts
28.5 × 23.5 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• B solo (4), vl 1 (2x; 4, 4), vl 2 (2x; 4, 4), vlc (3), vlne (3), org (4), mdc (4)

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

D-OB MO 812

RISM

450008348

Publication, dating

ca. 1740

Scribe(s)

unidentified (black ink)

Title page(s)

[wrapper]

Offertorium pro | Solemnitate Neo Mystæ. | primam Miſsam | celebrantis. | â | Baſso Solo. | Con | Violini | et | Organo.. | Del Sig: Tuma.

Physical description

4 parts
33 × 21 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• B solo (6), vl 1 (6), vl 2 (6), org (5)
• This source comprises the recitativo and aria of both Domine Deus omnium creator TumW C.3.16 and Voluntarie sacrificabo tibi TumW C.3.14.

Download metadata

C.3.17
Audite insulae

1

Sources

C

A-Wn Mus.Hs.15718

Details

Identification

TumW C.3.17
BalTh B.VI.17
KliCh Motets 2
VogIn A.IV.17

ARKs

ark:68748/ft1c317 (human-readable catalogue entry)
ark:68748/ft1c317.mei (metadata in MEI format)
ark:68748/ft1c317.score (full score)

Scoring

solo (A), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1743

Performance(s)

Vienna (3): 1743-03-25, 1743-06-04, and 1746-06-01

References

Eybl (1996)

Editions

Music

1 Audite insulae

Tempo	Vivace
Key	B♭ major
Meter
Extent	92 bars
Scoring	solo (A), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Audite insulae	Vivace	B♭ major		28	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org
Non fuit vasti spatium	Andante	F major		48	solo (A), 2 vl, vlne, org
Alleluia	Allegro	B♭ major		16	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15718 (digitized version)

RISM

600138980

Publication, dating

1743

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motetto de S: | Joanne Baptista | à | Contr’Alto solo | Con | Ripieni | Partes 24. | Del S:r Franc: Tuma | M: D: C: di S: C: M: | Della Imp:ce Elis: | Vedova | 1743.

Physical description

15 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• A solo and coro (4), S coro (2), A coro (2), T coro (2), B coro (2), cnto (2), fag (2), trb 1 (2), trb 2 (2), vl 1 (3), vl 2 (3), vlc (3), vlne (3), org (3), mdc (3)

Download metadata

C.3.18
Venite ad me

1

Sources

C

A-Wn Mus.Hs.15712

Details

Identification

TumW C.3.18
BalTh B.VI.11
KliCh Motets 8
VogIn A.IV.18

ARKs

ark:68748/ft1c318 (human-readable catalogue entry)
ark:68748/ft1c318.mei (metadata in MEI format)
ark:68748/ft1c318.score (full score)

Scoring

soli (S, A, T), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1743

Performance(s)

Vienna (9): 1743-06-17, 1743-09-07, 1743-12-04, 1744-06-05, 1745-06-17, 1746-06-10, 1746-10-17, 1747-12-06, and 1748-12-06

References

Eybl (1996)

Editions

Klinka (1975c),

Music

1 Venite ad me

Tempo	Adagio
Key	G minor
Meter
Extent	109 bars
Scoring	soli (S, A, T), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Venite ad me	Adagio – Allegro	G minor		19	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org
Panis quem ego dabo	Andante	D minor		66	solo (T), 2 vl, vlne, org
Qui manducat meam carnem	Andante – Allegro	G minor		24	soli (S, A), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15712 (digitized version)

RISM

600138747

Publication, dating

1743

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motetto del Santiſs:mo | Sacramento | à | 3 voci | S: A: e T: in conc: | con 2 Violini | e Ripieni | Partes 24. | Del Sg: Francesco Tuma | M: D: C: di S: M: C:a | L’Imp:ce Elis: Vedova | 1743.

Physical description

16 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo and coro (2), A solo and coro (2), T solo and coro (4), S coro (2), A coro (2), T coro (2), B coro (2), cnto (2), trb 1 (2), trb 2 (2), vl 1 (3), vl 2 (3), vlc (3), vlne (3), org (3), mdc (3); fag part presumably missing

Download metadata

C.3.19
Maria gustum sentio

1

Sources

C

A-Wn Mus.Hs.15708

Details

Identification

TumW C.3.19
BalTh B.VI.7
KliCh Motets 16
VogIn A.IV.19

ARKs

ark:68748/ft1c319 (human-readable catalogue entry)
ark:68748/ft1c319.mei (metadata in MEI format)
ark:68748/ft1c319.score (full score)

Scoring

solo (S), vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1745

Performance(s)

Vienna (4): 1745-08-15, 1745-10-03, 1746-03-25, and 1746-08-15

References

Eybl (1996), Straková (1963), Straková (1965)

Inventories

Brtnice inventory (ca. 1750, p. 111, no. 7)

Editions

Music

1 Maria gustum sentio

Tempo	Andante overo larghetto
Key	E♭ major
Meter
Extent	105 bars
Scoring	solo (S), vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Maria gustum sentio	Andante overo larghetto	E♭ major		39	solo (S), vl, vlne, org
Lac et mel	Andante	C minor		33	solo (S), vl, vlne, org
Maria gustum sentio	Andante overo larghetto	E♭ major		33	solo (S), vl, vlne, org	bars 76–105 are a da capo of bars 10–39

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15708 (catalogue entry)

RISM

600138959

Publication, dating

1745

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motettum de B: M: V: | Maria gustum sentio | a | Soprano solo | con | Violini unis: | Partes 9. | Del Sg: Francesco Tuma | M: D: C:’ di S: C: M: dell’ | Imp:ce Elis: Vedova 1745.

Physical description

9 parts
28.5 × 23.5 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo (4), vl (4x; 4, 4, 4, 4), vlc (4), vlne (4), org (4), mdc (4)

Download metadata

C.3.20
Mulier quae erat

1

Sources

C

A-Wn Mus.Hs.15713

Details

Identification

TumW C.3.20
BalTh B.VI.12
KliCh Motets 17
VogIn A.IV.20

ARKs

ark:68748/ft1c320 (human-readable catalogue entry)
ark:68748/ft1c320.mei (metadata in MEI format)
ark:68748/ft1c320.score (full score)

Scoring

soli (S, A, T, B), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), 1744

Performance(s)

Vienna (2): 1744-[?] and 1745-[?]

References

Eybl (1996)

Editions

Klinka (1975f),

Music

1 Mulier quae erat

Tempo	Larghetto – Allegro
Key	C dorian
Meter
Extent	66 bars
Scoring	soli (S, A, T, B), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15713 (digitized version)

RISM

600138820

Publication, dating

1744

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Motettum de Scta | Maria Magdalena. | a | 4 voci con violini | Partes 24. | Del Sg: Francesco Tuma | M: D: C: di S: C: M: dell’ | Imp:ce Elisabetta vedova | L’Anno 1744.

Physical description

18 parts
28 × 23 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo and coro (2), A solo and coro (2), T solo and coro (3), B solo and coro (2), S coro (2), A coro (2), T coro (2), B coro (2), cnto (1), fag (1), trb 1 (1), trb 2 (1), vl 1 (2), vl 2 (2), vlc (2), vlne (2), org (2), mdc (2)

Download metadata

C.3.21
Audivi vocem de caelo

Identifiers
ARK	ark:68748/ft1c321
Sources	CZ-Pak 1330
Notes
References
Inventories	Štefan (1985, p. 251, no. 1390)
Editions

C.3.22
Tradiderunt me in manus impiorum

1

Sources

C

CZ-Pkřiž XXXV E 137:2 · CZ-Pn XLVI A 267 · CZ-Pn XVI C 72

Details

Identification

TumW C.3.22

ARKs

ark:68748/ft1c322 (human-readable catalogue entry)
ark:68748/ft1c322.mei (metadata in MEI format)
ark:68748/ft1c322.score (full score)

Scoring

coro (S, A, T, B), 2 vl, vlne, org

Genre

motet

Place and date of composition

unknown, 1st half 18th century

Performance(s)

(none documented)

Editions

Music

1 Tradiderunt me

Tempo	Allabreve
Key	F major
Meter
Extent	130 bars
Scoring	coro (S, A, T, B), 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pkřiž XXXV E 137:2

RISM

550266971

Publication, dating

2nd half 18th century

Scribe(s)

unidentified (ink)

Title page(s)

[wrapper]

Motetto dupplex | 1) Stabat mater (1 versus) | 2) Tradiderunt me (Resp. VII. Parasc.) | a | 4 Voci | 2 Violinis | 2 Trombonis Alto Tenore | con | Organo | Tuma Fr.

Physical description

9 parts
29 × 23.5 cm
hand-ruled paper

Components and notes

• S coro, A coro, T coro, B coro, trb 1, trb 2, vl 1, vl 2, org
• old shelfmarks: 787, 829d, 77890
• This shelfmark comprises two works: The sequence Stabat mater TumW F.S1 and the motet Tradiderunt me TumW C.3.22.
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · vocal score · fair copy · complete

Location(s)

CZ-Pn XVI C 72

RISM

–

Publication, dating

1903

Scribe(s)

Ondřej Horník (black ink)

Title page(s)

[fol. 1r]

F-Dur | Tradiderunt me | Motetto | Pro | sopran, alt, tenor a bas | à capella | slož | Fr. Tůma | (1704–1774). | O Horník | 1903

Physical description

3 p.
33 × 25.5 cm
hand-ruled paper, 14 staves (9 mm)

Components and notes

–

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pn XLVI A 267

RISM

–

Publication, dating

1845

Scribe(s)

Thomas Recinsky (black ink), unidentified (black ink)

Title page(s)

[wrapper]

Tradiderunt me | in manus impiorum | Motetto | de paſsione Christi, | a 4 Vocibus, 2 Violinis et Organo. | Authore Tuma. | Gerlaci Strnischtie | in Strahov. | Tuma. | Tradiderunt me. | Stimmen.

Physical description

8 parts
three sets of parts:
(1) 4 parts: 33 x 24 cm, hand-ruled paper, 12 staves (9 mm)
(2) 3 parts: 31.5 x 24.5 cm, hand-ruled paper, 12 staves (9 mm)
(3) 1 part: 23.5 x 32 cm, hand-ruled paper, 8 staves (10 mm)

Components and notes

• first set of parts: S coro (2), A coro (2), T coro (2), B coro (2); second set: vl 1 (2), vl 2 (2), org (3); third set: org (2)
• first set of parts in the hand of Recinsky, remaining parts by unidentified hand

Download metadata

C.3.23
In corde Gertrudis

1

Sources

A

A-Ws D 2/104

Details

Identification

TumW C.3.23

ARKs

ark:68748/ft1c323 (human-readable catalogue entry)
ark:68748/ft1c323.mei (metadata in MEI format)
ark:68748/ft1c323.score (full score)

Scoring

solo (S), coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Genre

motet

Place and date of composition

Vienna (?), ca. 1730–1740

Performance(s)

(none documented)

Editions

Music

1 In corde Gertrudis

Tempo	[no tempo]
Key	C major
Meter
Extent	115 bars
Scoring	solo (S), coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
In corde Gertrudis (Recitativo)	[no tempo]	C major		8	solo (S), vlne, org
Amore Christum vulneras (Aria)	Tempo moderato	C major		57	solo (S), 2 vl, vlne, org
Nos tuo sponso psalimus (Chorus)	Un poco allegro	C major		10	coro (S, A, T, B), 2 trb, 2 vl, vlne, org
Nosque reddat coelestibus	Allegro	C major		40	coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Sources

Autograph manuscript

Classification

notated music · manuscript · autograph · score and parts · fair copy · complete

Location(s)

A-Ws D 2/104

RISM

–

Publication, dating

ca. 1730–1740

Scribe(s)

František Ignác Antonín Tůma (black ink), unidentified (black ink)

Title page(s)

[wrapper]

Motetto De S: Gertude | a | Soprano Solo. | Canto | Alto | Tenore | Baſso { Rip.ni | 2 Violini | 2 Tromboni | Violoncello | Violone | con | Organo | Del Sig:re Thuma

[full score, fol. 1r, by Tůma]

Motettum de Sancta Gertrude

Physical description

5 p.; 15 parts
(1) full score: autograph manuscript, 37 x 26 cm, hand-ruled paper, 16 staves (9 mm)
(2) parts: manuscript copy, 30.5 x 22 cm, hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo and coro (4), S coro (2), A coro (2x; 2, 2), T coro (2x; 2, 2), B coro (2x; 2, 2), trb 1 (1), trb 2 (1), vl 1 (4), vl 2 (4), vlc (3), vlne (3), org (4)

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C.3.24
Vasti per orbem canitur

Identifiers
ARK	ark:68748/ft1c324
Sources	A-Ws D 2/105
Notes
References
Inventories
Editions

C.3.25
In columbae specie

Identifiers
ARK	ark:68748/ft1c325
Sources	A-Ws D 2/106
Notes
References
Inventories
Editions

C.3.26
Sanctorum Martyrum triumphos

Identifiers
ARK	ark:68748/ft1c326
Sources	A-Ws D 2/107
Notes
References
Inventories
Editions

C.3.27
Tochter Sion sey erfreyt

1

Sources

C

A-GE III 1 · A-GÖ 3592

Details

Identification

TumW C.3.27

ARKs

ark:68748/ft1c327 (human-readable catalogue entry)
ark:68748/ft1c327.mei (metadata in MEI format)
ark:68748/ft1c327.score (full score)

Scoring

solo (S), 2 vl, vla, vlne, org

Genre

motet

Place and date of composition

unknown, 2nd half 18th century

Performance(s)

Göttweig (3): 1767-01-06, 1769-01-06, and 1770-12-20

Editions

Music

1 Tochter Sion sey erfreyt

Tempo	Andante
Key	A major
Meter
Extent	545 bars (incl. 337 bars da capo)
Scoring	solo (S), 2 vl, vla, vlne, org
Notes	two stanzas

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · incomplete

Location(s)

A-GE III 1

RISM

601000210

Publication, dating

2nd half 18th century

Scribe(s)

unidentified (black ink)

Title page(s)

[fol. 1r]

[top left] Pastorella.

Physical description

1 part
32.5 × 22 cm
hand-ruled paper, 10 staves (11 mm)

Components and notes

• vl 2 (3)

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-GÖ 3592

RISM

–

Publication, dating

1766-12-14

Scribe(s)

P. Josephus (black ink)

Title page(s)

[wrapper]

Motetta. | De Nativitate Domini. | â | Soprano Solo. | Violino 1^mo. | Violino Secondo. | Viola Conc: | con | Organo. | Authore Signore Tuma. | Comparavit | R: P: Josephus | Die 14. Xbris. | ao 766.

Physical description

5 parts
34 × 22 cm
hand-ruled paper, 6 or 12 staves (11 mm)

Components and notes

• S solo (4), vl 1 (3), vl 2 (3), vla (3), org (3)

Download metadata

C.3.28
Venite mortalium

Identifiers
ARK	ark:68748/ft1c328
Sources	A-GÖ 3593
Notes
References
Inventories	Herzogenburg inventory (1751, p. 192, no. 45), Herzogenburg inventory (1774, fol. 72v, no. 31)
Editions

C.3.L1
In sanctitate et iustitia

Identifiers
ARK	ark:68748/ft1c3l1
Sources
Notes	listed in Brtnice inventory
References	Straková (1963), Straková (1965)
Inventories	Brtnice inventory (ca. 1750, p. 108d, no. 2)
Editions

C.3.L2
Dulce lignum

Identifiers
ARK	ark:68748/ft1c3l2
Sources
Notes	listed in Brtnice inventory
References	Straková (1963), Straková (1965)
Inventories	Brtnice inventory (ca. 1750, p. 110, no. 7)
Editions

C.3.L3
Motetto

Identifiers
ARK	ark:68748/ft1c3l3
Sources
Notes	listed in Herzogenburg inventories
References
Inventories	Herzogenburg inventory (1751, p. 172, no. 8), Herzogenburg inventory (1774, fol. 77r, no. 4)
Editions

C.3.L4
Monstra

Identifiers
ARK	ark:68748/ft1c3l4
Sources
Notes	listed in Herzogenburg inventories
References
Inventories	Herzogenburg inventory (1751, p. 192, no. 43), Herzogenburg inventory (1774, fol. 72v, no. 29)
Editions

C.3.L5
Ave maris

Identifiers
ARK	ark:68748/ft1c3l5
Sources
Notes	listed in Herzogenburg inventories
References
Inventories	Herzogenburg inventory (1751, p. 192, no. 44), Herzogenburg inventory (1774, fol. 72v, no. 30)
Editions

C.3.L6
Motetto

Identifiers
ARK	ark:68748/ft1c3l6
Sources
Notes	listed in Herzogenburg inventories
References
Inventories	Herzogenburg inventory (1751, p. 192, no. 46), Herzogenburg inventory (1774, fol. 72v, no. 32)
Editions

C.3.L7
Motetto de Sancto Martyro

Identifiers
ARK	ark:68748/ft1c3l7
Sources
Notes	listed in Herzogenburg inventories
References
Inventories	Herzogenburg inventory (1751, p. 206, no. 26), Herzogenburg inventory (1774, fol. 84v, no. 22)
Editions

C.3.L8
Motetta de Confessore (Laeta)

Identifiers
ARK	ark:68748/ft1c3l8
Sources
Notes	listed in Herzogenburg 1751 inventory
References
Inventories	Herzogenburg inventory (1751, p. 216, no. 18)
Editions

C.3.L9
Motetto

Identifiers
ARK	ark:68748/ft1c3l9
Sources
Notes	listed in Herzogenburg 1751 inventory
References
Inventories	Herzogenburg inventory (1751, p. 216, no. 19)
Editions

C.3.L10
Motetta de quovis sancto

Identifiers
ARK	ark:68748/ft1c3l10
Sources
Notes	listed in Herzogenburg 1751 inventory
References
Inventories	Herzogenburg inventory (1751, p. 217, no. 20)
Editions

C.3.L11
Motetto della Madonna

(no incipit available)

Identifiers
ARK	ark:68748/ft1c3l11
Sources
Notes	listed in Kvasice inventory
References
Inventories	Lukeš (2021, p. 13)
Editions

C.4 Offertories

C.4.1
Confitebor Domino

1

Sources

C

A-Wgm I 1648:2

Details

Identification

TumW C.4.1
BalTh B.XII.2b
KliCh Offertories 1
VogIn A.II.3

ARKs

ark:68748/ft1c41 (human-readable catalogue entry)
ark:68748/ft1c41.mei (metadata in MEI format)

Scoring

coro (S, A, T, B), 2 vl, vlne, org

Genre

offertorium

Place and date of composition

Vienna (?), 1766

Performance(s)

(none documented)

Inventories

Klosterneuburg inventory A (1790, p. 98, no. 2), Klosterneuburg inventory B (1831, p. 272, no. 1), Klosterneuburg inventory C (1815, vol. 2, p. 29, no. 106)

Music

1 Confitebor Domino

Tempo	Andante
Key	G major
Meter
Extent	126 bars
Scoring	coro (S, A, T, B), 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Confitebor Domino nimis in ore meo	Andante	G major		95	coro (S, A, T, B), 2 vl, vlne, org
Laudemus omnes Dominum (Finale)	Allegro	G major		31	coro (S, A, T, B), 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

A-Wgm I 1648:2

RISM

–

Publication, dating

1766

Scribe(s)

unidentified (brown ink)

Title page(s)

[cover]

I 1648 Musik Vereins Archiv | Graduale & Offertorium | von | F. Tuma | Partitur

[fol. 7r]

Offertorium | a | 4 Voci | 2 Violinis | Organo et Violone | Del Sig^re Franc^co Tuma | 766.

Physical description

17 fol.
22 × 30 cm
hand-ruled paper, 12 staves (7 mm)

Components and notes

• This shelfmark comprises two works: Iustus ut palma florebit TumW C.1.2 (music on fol. 1v–6r) and Confitebor Domino TumW C.4.1 (fol. 7v–17r).

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C.4.2
Benedictus qui venit

1

Sources

C

A-Wn Mus.Hs.15721

Details

Identification

TumW C.4.2
BalTh B.XII.1
KliCh Offertories 2
VogIn A.II.4

ARKs

ark:68748/ft1c42 (human-readable catalogue entry)
ark:68748/ft1c42.mei (metadata in MEI format)
ark:68748/ft1c42.score (full score)

Scoring

soli (S, A, T, B), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Genre

offertorium

Place and date of composition

Vienna (?), 1745

Performance(s)

(none documented)

References

Eybl (1996), Eybl (2022), Straková (1963), Straková (1965)

Inventories

Brtnice inventory (ca. 1750, p. 111, no. 3)

Editions

Music

1 Benedictus qui venit

Tempo	Andante
Key	D major
Meter
Extent	95 bars (including 27 bars da capo)
Scoring	soli (S, A, T, B), coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Benedictus qui venit	Andante	D major		36	soli (S, A, T, B), 2 vl, vlne, org
Alleluia	Allegro	D major		27	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org
Benediximus vobis	Adagio	B minor		5	solo (T), 2 vl, vlne, org	This and the following section may be omitted (at end of Alleluia: “ad libitum seque” or similar).
Alleluia	Allegro	D major		27	coro (S, A, T, B), cnto, fag, 2 trb, 2 vl, vlne, org	da capo of bars 37–63

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-Wn Mus.Hs.15721 (catalogue entry)

RISM

600138711

Publication, dating

1745

Scribe(s)

Joseph Leysser (brown ink)

Title page(s)

[wrapper]

Offertorium | pro | Sabbato in albis proprium | aliàs | Motettum de Tempore | à | 4 Voci | con | Violini in Conc: | Partes 24 | Del Sg Fran: Tuma | Maestro di Capella di Sua M:tà | Ces:a dell’Imp:ce Elis: vedova | 1745.

Physical description

20 parts
28.5 × 23.5 cm
hand-ruled paper, 10 staves (10 mm)

Components and notes

• S solo and coro (3), A solo and coro (3), T solo and coro (3), B solo and coro (3), S coro (2), A coro (2), T coro (2), B coro (2x; 2, 2), cnto (1), fag (1), trb 1 (1), trb 2 (1), vl 1 (2), vl 2 (2x; 2, 2), vlc (3), vlne (3), org (3), mdc (3)

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C.4.3
Veritas mea

1

Sources

C

A-KN 464/3

Details

Identification

TumW C.4.3
KliCh Offertories 3
VogIn A.II.5

ARKs

ark:68748/ft1c43 (human-readable catalogue entry)
ark:68748/ft1c43.mei (metadata in MEI format)
ark:68748/ft1c43.score (full score)

Scoring

coro (S, A, T, B), a-trb, 2 trb, 2 vl, vlne, org

Genre

offertorium

Place and date of composition

unknown, mid 18th century

Performance(s)

(none documented)

Inventories

Klosterneuburg inventory B (1831, p. 272, no. 3)

Editions

Music

1 Veritas mea

Tempo	Andante
Key	G minor
Meter
Extent	94 bars
Scoring	coro (S, A, T, B), a-trb, 2 trb, 2 vl, vlne, org
Notes	a-trb solo

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-KN 464/3 (catalogue entry)

RISM

–

Publication, dating

18th century

Scribe(s)

unidentified (black ink)

Title page(s)

[cover]

Offertorium | Veritas mea | v. | Tuma

Physical description

18 parts
31 × 22 cm
hand-ruled paper, 10 staves (11 mm)

Components and notes

• S coro (2x; 2, 2), A coro (2x; 2, 2), T coro (2x; 2, 2), B coro (2x; 2, 2), a-trb solo (3), trb 1 (2), trb 2 (2), vl 1 (2x; 3, 3), vl 2 (2x; 3, 3), vlne (2x; 3, 3), org (3)

Download metadata

C.4.4
Te splendor et virtus

1

Sources

C

H-PH Mus.sacr.ant. T 2

Details

Identification

TumW C.4.4

ARKs

ark:68748/ft1c44 (human-readable catalogue entry)
ark:68748/ft1c44.mei (metadata in MEI format)
ark:68748/ft1c44.score (full score)

Scoring

coro (S, A, T, B), vlne, org

Genre

offertorium

Place and date of composition

unknown, mid 18th century

Performance(s)

(none documented)

Editions

Leidemann (2023),

Music

1 Te splendor et virtus

Tempo	Allabreve
Key	E minor
Meter
Extent	112 bars
Scoring	coro (S, A, T, B), vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

H-PH Mus.sacr.ant. T 2

RISM

530003479

Publication, dating

ca. 1790

Scribe(s)

unidentified (brown ink)

Title page(s)

[wrapper]

Offertorium | de | S. Michaele a | 4 Vocibus | con | Organo | D. Sg. Thuma.

Physical description

5 parts
33 × 22 cm
hand-ruled paper, 12 staves (10 mm)

Components and notes

• S coro (2), A coro (2), T coro (2), B coro (1), org (2)

Download metadata

C.4.5
Benedictus es, Domine

1

Sources

C

CZ-Pn X E 234 · CZ-Pn X E 235:2 · CZ-Pn XVI C 71 · CZ-Pnm XLVI B 212 · CZ-Pu 59 R 1640:2

Details

Identification

TumW C.4.5

ARKs

ark:68748/ft1c45 (human-readable catalogue entry)
ark:68748/ft1c45.mei (metadata in MEI format)
ark:68748/ft1c45.score (full score)

Scoring

coro (S, A, T, B), 2 vl, vla, vlne, org

Genre

offertorium

Place and date of composition

unknown, 1st half 18th century

Performance(s)

(none documented)

Editions

Music

1 Benedictus es, Domine

Tempo	Allabreve / Moderato
Key	D minor
Meter
Extent	78 bars
Scoring	coro (S, A, T, B), 2 vl, vla, vlne, org
Notes	bars 76–78 in common time (Adagio)

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pu 59 R 1640:2

RISM

551003278

Publication, dating

1836-01-30

Scribe(s)

Zikmund Michal Kolešovský (black ink)

Title page(s)

[wrapper]

Offertorium | Imum /: Perfice greſsus meos :/ pro Dominica Sexagesimae. | [added by other hand:] et Domin. VI post Pentecosten | IIdum /: Benedictus es Domine :/ pro Dominica Quinquagesimae. | a | Soprano, Alto, | Tenore, Baſso, | Violino Primo, | Violino Secundo, | Viola, | con | Organo | Violone et Violoncello. | Auctore Francisco Tuma. | Sigismundi Kolleschowsky.

Physical description

9 parts, 4 p.
parts: 30.5 x 23 cm, hand-ruled paper, 12 staves (10 mm)
full score: 24.5 x 31 cm, hand-ruled paper, 16 staves (6 mm)

Components and notes

• S coro (2), A coro (2), T coro (2), B coro (2), vl 1 (1), vl 2 (1), vla (1), vlne (1), org (1)

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pn X E 234

RISM

–

Publication, dating

19th century

Scribe(s)

unidentified (black ink)

Title page(s)

[org part, fol. 1r]

Offertorium pro Dom: quinquagesimæ Fr Tuma.

Physical description

9 parts
32.5 × 25.5 cm
hand-ruled paper, 10 staves (13 mm)

Components and notes

• S coro (1), A coro (1), T coro (1), B coro (1), vl 1 (1), vl 2 (1), vlc/vlne (1), org (2x; 1, 4)
• back side of each part contains the gradual Tu es Deus (MH 448) by Michael Haydn

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pn X E 235:2

RISM

–

Publication, dating

19th century

Scribe(s)

unidentified (black ink)

Title page(s)

[org part, fol. 1r]

Offertorium | pro. | Dom. Sexagesimæ | F. Tuma. | Organo.

Physical description

3 parts
31 × 24 cm
hand-ruled paper, 13 staves (10 mm)

Components and notes

• vl 1 (1), vl 2 (1), vlne (1)
• This shelfmark contains two works: Benedictus es, Domine TumW C.4.5 and Perfice gressus meos TumW C.4.6.

Manuscript copy

Classification

notated music · manuscript · copy · score and parts · fair copy · complete

Location(s)

CZ-Pn XVI C 71

RISM

–

Publication, dating

19th century

Scribe(s)

unidentified (black ink), Ondřej Horník (black ink, title)

Title page(s)

[wrapper, by Horník]

d:mol | Benedictus | Offertorium | Pro | soprán, alt, tenor, bas, la 2 housle, viola, | cello, bassu a varhany | slož | Fr. Tůma | (1704-1774) | O Hornik | 19 13/9 01

[org part, fol. 1r]

Offertorium | in D moll | quatuor Voc. cant. | 2^bus Violinis, Viola, Contrab. | Cello et Organo | ab | Franc Tuma.

Physical description

1 full score, 12 parts
full score: 24 x 31 cm, hand-ruled paper, 10 staves (8 mm)
parts: 31 x 24 cm, hand-ruled paper, 10 staves (8 mm)

Components and notes

• S coro (2), A coro (2), T coro (2), B coro (2), vl 1 (2x; 1, 2), vl 2 (2x; 1, 2), vla (2), vlc/vlne (1), org (2x; 2, 2); full score (4)
• originally in the archive of the Church of Saint Nicholas in Prague

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pnm XLVI B 212

RISM

550041329

Publication, dating

1835

Scribe(s)

Gerlak Strniště (black ink)

Title page(s)

[wrapper]

Benedictus es Domine, doce me justificatio= | nes tuas. | Offertorium in D minore | pro Dominica Quinquagesimae, | a | 4 Vocibus, | 2 Violinis, | Viola | et | Organo. | Authore Tuma. | Gerlaci Strnischtie [manu propria] | in Strahof. | Tuma: Benedictus es Domine, doce me. | Stimmen.

Physical description

10 parts
29 × 22.5 cm
hand-ruled paper, 12 staves (9 mm)

Components and notes

• S coro (1), A coro (2), T coro (1), B coro (1), vl 1 (2x; 1, 1), vl 2 (2x; 1, 1), vla (1), org (2)

Download metadata

C.4.6
Perfice gressus meos

1

Sources

C

CZ-Pn X E 235:1 · CZ-Pn XLVI A 268 · CZ-Pn XVI C 69 · CZ-Pu 59 R 1640:1

Details

Identification

TumW C.4.6

ARKs

ark:68748/ft1c46 (human-readable catalogue entry)
ark:68748/ft1c46.mei (metadata in MEI format)
ark:68748/ft1c46.score (full score)

Scoring

coro (S, A, T, B), 2 vl, vla, vlne, org

Genre

offertorium

Place and date of composition

unknown, 1st half 18th century

Performance(s)

(none documented)

Editions

Music

1 Perfice gressus meos

Tempo	Largo – Allegro moderato
Key	A minor
Meter
Extent	75 bars
Scoring	coro (S, A, T, B), 2 vl, vla, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · score and parts · fair copy · complete

Location(s)

CZ-Pu 59 R 1640:1

RISM

551003277

Publication, dating

1836-01-30

Scribe(s)

Zikmund Michal Kolešovský (black ink)

Title page(s)

[wrapper]

Offertorium | Imum /: Perfice greſsus meos :/ pro Dominica Sexagesimae. | [added by other hand:] et Domin. VI post Pentecosten | IIdum /: Benedictus es Domine :/ pro Dominica Quinquagesimae. | a | Soprano, Alto, | Tenore, Baſso, | Violino Primo, | Violino Secundo, | Viola, | con | Organo | Violone et Violoncello. | Auctore Francisco Tuma. | Sigismundi Kolleschowsky.

Physical description

9 parts, 6 p.
parts: 30.5 x 23 cm, hand-ruled paper, 12 staves (10 mm)
full score: 24.5 x 31 cm, hand-ruled paper, 16 staves (6 mm)

Components and notes

• S coro (2), A coro (2), T coro (2), B coro (2), vl 1 (2), vl 2 (2), vla (2), vlc/vlne (2), org (2)

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pn X E 235:1

RISM

–

Publication, dating

19th century

Scribe(s)

unidentified (black ink)

Title page(s)

[org part, fol. 1r]

Offertorium | pro. | Dom. Sexagesimæ | F. Tuma. | Organo.

Physical description

9 parts, 1 full score
org, full score: 33 x 25.5 cm, hand-ruled paper, 12 staves (7 mm)
S, A, T, B: 32 x 24.5 cm, hand-ruled paper, 12 staves (10 mm)
vl 1, vl 2, vla, vlne: 31 x 24 cm, hand-ruled paper, 12 staves (10 mm)

Components and notes

• S coro (1), A coro (1), T coro (1), B coro (1), vl 1 (1), vl 2 (1), vla (1), vlne (1), org (5); fragment full score (3)
• This shelfmark contains two works: Benedictus es, Domine TumW C.4.5 and Perfice gressus meos TumW C.4.6.

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pn XVI C 69

RISM

–

Publication, dating

1901

Scribe(s)

Ondřej Horník (black ink)

Title page(s)

[wrapper]

a-mol. | Perfice gressus. | Offertorium | Pro | sopran, alt, tenor, bas, la 2 houste, violu | a varhany | slož. | Fr. Tůma | (1704-1774) | O. Horník | 19 2/7 01

Physical description

8 parts
33 × 25.5 cm
hand-ruled paper, 14 staves (9 mm)

Components and notes

• S coro (1), A coro (1), T coro (1), B coro (1), vl 1 (1), vl 2 (1), vla (1), org (1)
• at end of org part: Zevního archivu klástera Premonstráti ráhno na Strahove v Praze

Manuscript copy

Classification

notated music · manuscript · copy · score and parts · fair copy · complete

Location(s)

CZ-Pn XLVI A 268

RISM

–

Publication, dating

1836

Scribe(s)

Gerlak Strniště (black ink)

Title page(s)

[wrapper]

Perfice gressos meos. | Offertorium in A minore | Dominicis: Sexagesimæ et 6^ta post Pentecosten, | a | 4 Vocibus, | 2 Violinis, | Viola, | et | Organo. | Authore Tuma. | Gerlaci Strnischtie [manu propria] | in Strahof. | Tuma: Perfice gressus meos. Stimmen.

Physical description

1 full score, 10 parts
full score: 20 x 26 cm, hand-ruled paper, 8 staves (9 mm)
parts: 29.5 x 23 cm, hand-ruled paper, 12 staves (9 mm)

Components and notes

• S coro (2), A coro (2), T coro (2), B coro (2), vl 1 (2x; 2, 2), vl 2 (2x; 2, 2), vla (1), org (2); full score (24)

Download metadata

C.4.7
Confitebor

1

Sources

C

CZ-Pn XLVI A 274 · CZ-Pn XLVI A 338:1 · CZ-Pn XVI C 70

Details

Identification

TumW C.4.7

ARKs

ark:68748/ft1c47 (human-readable catalogue entry)
ark:68748/ft1c47.mei (metadata in MEI format)
ark:68748/ft1c47.score (full score)

Scoring

coro (S, A, T, B), 2 vl, vla, vlne, org

Genre

offertorium

Place and date of composition

unknown, 1st half 18th century

Performance(s)

Strahov (5): 1822, 1824, 1830, 1835, and 1841

Editions

Music

1 Confitebor

Tempo	Moderato
Key	D minor
Meter
Extent	110 bars
Scoring	coro (S, A, T, B), 2 vl, vla, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

CZ-Pn XVI C 70

RISM

–

Publication, dating

1901-07-08

Scribe(s)

Ondřej Horník (black ink)

Title page(s)

[fol. 1r]

D-mol | Confitebor tibi. | Offertorium | Pro | sopran, alt, tenor a bas | s pruv varhan | slož | Fr. Tůma | (1704–1774) | O Horník | 19 8/7 01

Physical description

4 p.
33 × 25.5 cm
hand-ruled paper, 14 staves (9 mm)

Components and notes

–

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pn XLVI A 274

RISM

–

Publication, dating

1822

Scribe(s)

Gerlak Strniště (black ink)

Title page(s)

[wrapper]

Confitebor tibi | Offertorium in G min. pro Dnica | Passionis | a | 4 Voci | 2 Violini | Viola | ed | Organo | Del Sig: Thuma [with cancelled “h”] | Tuma: Confitebor Tibi Stimmen.

Physical description

9 parts
25 × 20 cm
hand-ruled paper, 10 staves (8 mm)

Components and notes

• S coro (2), A coro (2), T coro (2), B coro (2), vl 1 (2x; 2, 2), vl 2 (2), vla (2), org (2)

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

CZ-Pn XLVI A 338:1

RISM

–

Publication, dating

ca. 1822

Scribe(s)

Gerlak Strniště (black ink)

Title page(s)

[fol. 2r]

III Offertoria | Nro: 1. Confitebor Tibi … Auctore Thuma pro Dnica Paſſionis | Nro: 2. Improperium exſpectavit cor … Thuma | Nro: 3. Improperium etc: … Fr. Blaſio Smrcžek Ord. S. Joannis de Deo Pro Dnica Palmarum | Gerlaci Strniſchtie | in Sion [manu propria]

Physical description

7 p.
18 × 22 cm
hand-ruled paper, 10 staves (7 mm)

Components and notes

• This score comprises two offertories by Tůma: Confitebor TumW C.4.7 (fol. 3r–6r) and Improperium expectavit TumW C.4.8 (fol. 6v–9r).

Download metadata

C.4.8
Improperium expectavit

1

Sources

C

CZ-Nlob 168 · CZ-Pn XLVI A 273 · CZ-Pn XLVI A 338:2 · CZ-Pn XVI C 68

Details

Identification

TumW C.4.8

ARKs

ark:68748/ft1c48 (human-readable catalogue entry)
ark:68748/ft1c48.mei (metadata in MEI format)
ark:68748/ft1c48.score (full score)

Scoring

coro (S, A, T, B), 2 trb, 2 vl, vla, vlne, org

Genre

offertorium

Place and date of composition

unknown, 1st half 18th century

Performance(s)

Strahov (2): 1830 and 1841

Inventories

Pulkert (1973, vol. 1, p. 71, no. 91, p. 278, no. 650)

Editions

Music

1 Improperium expectavit

Tempo	Allabreve
Key	C major
Meter
Extent	123 bars
Scoring	coro (S, A, T, B), 2 trb, 2 vl, vla, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Nlob 168

RISM

–

Publication, dating

18th/19th century

Scribe(s)

unidentified (ink)

Title page(s)

[wrapper]

Motetto in C. Quadragesimale pro Dominica Palmarum. Canto, Alto, Tenore, Basso, Trombone Tre o Viole due con Organo. Del Sig. Thuma. Ex Mus. Franc. Strobach.

Physical description

10 parts
hand-ruled paper

Components and notes

• S coro, A coro, T coro, B coro, trb 1, trb 2, trb 3, vl 1, vl 2, org
• catalogued according to RISM entry

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

CZ-Pn XVI C 68

RISM

–

Publication, dating

1902-07-10

Scribe(s)

Ondřej Horník (black ink)

Title page(s)

[fol. 1r]

C-mol | Improperium exp. | Offertorium | Pro | sopran, alt, tenor bas a | varhany | slož | Fr. Tůma | (1704–1774) | O Horník | 19 10/7 02

Physical description

4 p.
33 × 25.5 cm
hand-ruled paper, 14 staves (9 mm)

Components and notes

–

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

CZ-Pn XLVI A 273

RISM

–

Publication, dating

1830

Scribe(s)

Gerlak Strniště (black ink)

Title page(s)

[wrapper]

Improperium exſpectavit cor meum | Offertorium in C majore pro Dnica Pal= | marum | a | 4 Voci | 2 Violini | Viola | 2 Tromboni ad libitum | ed | Organo | Del Sig: Thuma [with cancelled “h”] | Tuma: Improperium exspectavit cor meum | Stimmen

Physical description

12 parts
25 × 20 cm
hand-ruled paper, 10 staves (8 mm)

Components and notes

• S coro (2), A coro (2), T coro (2), B coro (2), trb 1 (2), trb 2 (2), vl 1 (2x; 2, 1), vl 2 (2x; 2, 1), vla (2), org (2)

Manuscript copy

Classification

notated music · manuscript · copy · score · fair copy · complete

Location(s)

CZ-Pn XLVI A 338:2

RISM

–

Publication, dating

ca. 1822

Scribe(s)

Gerlak Strniště (black ink)

Title page(s)

[fol. 2r]

III Offertoria | Nro: 1. Confitebor Tibi … Auctore Thuma pro Dnica Paſſionis | Nro: 2. Improperium exſpectavit cor … Thuma | Nro: 3. Improperium etc: … Fr. Blaſio Smrcžek Ord. S. Joannis de Deo Pro Dnica Palmarum | Gerlaci Strniſchtie | in Sion [manu propria]

Physical description

6 p.
18 × 22 cm
hand-ruled paper, 10 staves (7 mm)

Components and notes

• This score comprises two offertories by Tůma: Confitebor TumW C.4.7 (fol. 3r–6r) and Improperium expectavit TumW C.4.8 (fol. 6v–9r).

Download metadata

C.4.L1
Devoti fideles

Identifiers
ARK	ark:68748/ft1c4l1
Sources
Notes	listed in Brtnice inventory
References	Straková (1963), Straková (1965)
Inventories	Brtnice inventory (ca. 1750, p. 110, no. 6)
Editions

C.4.L2
Veritas mea

Identifiers
ARK	ark:68748/ft1c4l2
Sources
Notes	listed in Klosterneuburg inventories
References
Inventories	Klosterneuburg inventory A (1790, p. 98, no. 1), Klosterneuburg inventory B (1831, p. 272, no. 4)
Editions

C.4.L3
Mystes Dei

Identifiers
ARK	ark:68748/ft1c4l3
Sources
Notes	listed in Klosterneuburg inventory
References
Inventories	Klosterneuburg inventory A (1790, p. 128, no. 9)
Editions

C.5 Responsories

C.5.1
In monte oliveti

Identifiers	BalTh B.XI.12.I · KliCh Responsories 1 · VogIn A.VI.1a
ARK	ark:68748/ft1c51
Sources	D-Dl Mus.2968-D-513:1 · A-Wgm I 1693:1
Notes
References
Inventories
Editions

C.5.2
Tristis est anima

Identifiers	BalTh B.XI.12.I · KliCh Responsories 1 · VogIn A.VI.1a
ARK	ark:68748/ft1c52
Sources	D-Dl Mus.2968-D-513:2 · A-Wgm I 1693:2
Notes
References
Inventories
Editions	Schmid (1901, no. 2)

C.5.3
Ecce videmus eum

Identifiers	BalTh B.XI.12.I · KliCh Responsories 1 · VogIn A.VI.1a
ARK	ark:68748/ft1c53
Sources	D-Dl Mus.2968-D-513:3 · A-Wgm I 1693:3
Notes
References
Inventories
Editions	Schmid (1901, no. 6)

C.5.4
Amicus meus

Identifiers	BalTh B.XI.12.I · KliCh Responsories 1 · VogIn A.VI.1a
ARK	ark:68748/ft1c54
Sources	D-Dl Mus.2968-D-513:4 · A-Wgm I 1693:4
Notes
References
Inventories
Editions

C.5.5
Judas mercator

Identifiers	BalTh B.XI.12.I · KliCh Responsories 1 · VogIn A.VI.1a
ARK	ark:68748/ft1c55
Sources	D-Dl Mus.2968-D-513:5 · A-Wgm I 1693:5
Notes
References
Inventories
Editions

C.5.6
Unus ex discipulis

Identifiers	BalTh B.XI.12.I · KliCh Responsories 1 · VogIn A.VI.1a
ARK	ark:68748/ft1c56
Sources	D-Dl Mus.2968-D-513:6 · A-Wgm I 1693:6
Notes
References
Inventories
Editions

C.5.7
Eram quasi agnus

Identifiers	BalTh B.XI.12.I · KliCh Responsories 1 · VogIn A.VI.1a
ARK	ark:68748/ft1c57
Sources	D-Dl Mus.2968-D-513:7 · A-Wgm I 1693:7
Notes
References
Inventories
Editions

C.5.8
Una hora

Identifiers	BalTh B.XI.12.I · KliCh Responsories 1 · VogIn A.VI.1a
ARK	ark:68748/ft1c58
Sources	D-Dl Mus.2968-D-513:8 · A-Wgm I 1693:8
Notes
References
Inventories
Editions	Schmid (1901, no. 3)

C.5.9
Seniores populi

Identifiers	BalTh B.XI.12.I · KliCh Responsories 1 · VogIn A.VI.1a
ARK	ark:68748/ft1c59
Sources	D-Dl Mus.2968-D-513:9 · A-Wgm I 1693:9
Notes
References
Inventories
Editions	Schmid (1901, no. 4)

C.5.10
Omnes amici mei

Identifiers	BalTh B.XI.12.II · KliCh Responsories 1 · VogIn A.VI.1b
ARK	ark:68748/ft1c510
Sources	D-Dl Mus.2968-D-513:10 · A-Wgm I 1693:10
Notes
References
Inventories
Editions	Schmid (1901, no. 7)

C.5.11
Velum templi

Identifiers	BalTh B.XI.12.II · KliCh Responsories 1 · VogIn A.VI.1b
ARK	ark:68748/ft1c511
Sources	D-Dl Mus.2968-D-513:11 · A-Wgm I 1693:11
Notes
References
Inventories
Editions	Schmid (1901, no. 9)

C.5.12
Vinea mea electa

Identifiers	BalTh B.XI.12.II · KliCh Responsories 1 · VogIn A.VI.1b
ARK	ark:68748/ft1c512
Sources	D-Dl Mus.2968-D-513:12 · A-Wgm I 1693:12
Notes
References
Inventories
Editions

C.5.13
Tamquam ad latronem

Identifiers	BalTh B.XI.12.II · KliCh Responsories 1 · VogIn A.VI.1b
ARK	ark:68748/ft1c513
Sources	D-Dl Mus.2968-D-513:13 · A-Wgm I 1693:13
Notes
References
Inventories
Editions

C.5.14
Tenebrae factae sunt

Identifiers	BalTh B.XI.12.II · KliCh Responsories 1 · VogIn A.VI.1b
ARK	ark:68748/ft1c514
Sources	D-Dl Mus.2968-D-513:14 · A-Wgm I 1693:14
Notes
References
Inventories
Editions

C.5.15
Anima meam dilectam

Identifiers	BalTh B.XI.12.II · KliCh Responsories 1 · VogIn A.VI.1b
ARK	ark:68748/ft1c515
Sources	D-Dl Mus.2968-D-513:15 · A-Wgm I 1693:15
Notes
References
Inventories
Editions

C.5.16
Tradiderunt me

Identifiers	BalTh B.XI.12.II · KliCh Responsories 1 · VogIn A.VI.1b
ARK	ark:68748/ft1c516
Sources	A-Wgm I 1693:16
Notes
References
Inventories
Editions

C.5.17
Jesum tradidit impius

Identifiers	BalTh B.XI.12.II · KliCh Responsories 1 · VogIn A.VI.1b
ARK	ark:68748/ft1c517
Sources	A-Wgm I 1693:17
Notes
References
Inventories
Editions

C.5.18
Caligaverunt oculi mei

Identifiers	BalTh B.XI.12.II · KliCh Responsories 1 · VogIn A.VI.1b
ARK	ark:68748/ft1c518
Sources	A-Wgm I 1693:18
Notes
References
Inventories
Editions	Schmid (1901, no. 8)

C.5.19
Sicut ovis

Identifiers	BalTh B.XI.12.III · KliCh Responsories 1 · VogIn A.VI.1c
ARK	ark:68748/ft1c519
Sources	A-Wgm I 1693:19
Notes
References
Inventories
Editions	Schmid (1901, no. 5)

C.5.20
Jerusalem surge

Identifiers	BalTh B.XI.12.III · KliCh Responsories 1 · VogIn A.VI.1c
ARK	ark:68748/ft1c520
Sources	A-Wgm I 1693:20
Notes
References
Inventories
Editions	Schmid (1901, no. 10)

C.5.21
Plange quasi virgo

Identifiers	BalTh B.XI.12.III · KliCh Responsories 1 · VogIn A.VI.1c
ARK	ark:68748/ft1c521
Sources	A-Wgm I 1693:21
Notes
References
Inventories
Editions	Schmid (1901, no. 1)

C.5.22
Recessit pastor noster

Identifiers	BalTh B.XI.12.III · KliCh Responsories 1 · VogIn A.VI.1c
ARK	ark:68748/ft1c522
Sources	A-Wgm I 1693:22
Notes
References
Inventories
Editions

C.5.23
O vos omnes

Identifiers	BalTh B.XI.12.III · KliCh Responsories 1 · VogIn A.VI.1c
ARK	ark:68748/ft1c523
Sources	A-Wgm I 1693:23
Notes
References
Inventories
Editions

C.5.24
Ecce quomodo moritur

Identifiers	BalTh B.XI.12.III · KliCh Responsories 1 · VogIn A.VI.1c
ARK	ark:68748/ft1c524
Sources	A-Wgm I 1693:24
Notes
References
Inventories
Editions

C.5.25
Astiterunt reges terrae

Identifiers	BalTh B.XI.12.III · KliCh Responsories 1 · VogIn A.VI.1c
ARK	ark:68748/ft1c525
Sources	A-Wgm I 1693:25
Notes
References
Inventories
Editions

C.5.26
Aestimatus sum

Identifiers	BalTh B.XI.12.III · KliCh Responsories 1 · VogIn A.VI.1c
ARK	ark:68748/ft1c526
Sources	A-Wgm I 1693:26
Notes
References
Inventories
Editions

C.5.27
Sepulto Domino

Identifiers	BalTh B.XI.12.III · KliCh Responsories 1 · VogIn A.VI.1c
ARK	ark:68748/ft1c527
Sources	A-Wgm I 1693:27
Notes
References
Inventories
Editions

C.5.28
Tenebrae factae sunt

Identifiers	KliCh Responsories 2 · VogIn A.VI.2
ARK	ark:68748/ft1c528
Sources	A-KN 452/1 · A-KN 901
Notes
References
Inventories	Klosterneuburg inventory A (1790, p. 161, no. 2), Klosterneuburg inventory B (1831, p. 582, no. 5)
Editions

C.5.29
Tenebrae factae sunt

1

Sources

C

A-KN 452/2

Details

Identification

TumW C.5.29
KliCh Responsories 3
VogIn A.VI.3

ARKs

ark:68748/ft1c529 (human-readable catalogue entry)
ark:68748/ft1c529.mei (metadata in MEI format)
ark:68748/ft1c529.score (full score)

Scoring

coro (S, A, T, B), 2 vl, vlne, org

Genre

responsorium

Place and date of composition

Vienna (?), mid 18th century

Performance(s)

(none documented)

Inventories

Klosterneuburg inventory B (1831, p. 582, no. 6)

Editions

Music

1 Tenebrae factae sunt

Tempo	Adagio
Key	G minor
Meter
Extent	116 bars (incl. 21 bars da capo)
Scoring	coro (S, A, T, B), 2 vl, vlne, org

Section	Tempo	Key	Meter	Extent	Scoring	Notes
Tenebrae factae sunt	Adagio	G minor		48	coro (S, A, T, B), 2 vl, vlne, org
Tunc unus ex militibus	Un poco andante	G minor		21	coro (S, A, T, B), 2 vl, vlne, org
Et velum templi	Adagio	B♭ major		26	coro (S, A, T), 2 vl, vlne, org
Tunc unus ex militibus	Un poco andante	G minor		21	coro (S, A, T, B), 2 vl, vlne, org	da capo of bars 49–69

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-KN 452/2 (catalogue entry)

RISM

–

Publication, dating

18th century

Scribe(s)

unidentified (black ink)

Title page(s)

[cover]

Tenebrae | in G | Tuma

Physical description

8 parts
33 × 21 cm
hand-ruled paper, 12 staves (10 mm)

Components and notes

• S coro (2), A coro (2x; 2, 2), T coro (2), B coro (2), vl 1 (2), vl 2 (2), org (2)

Download metadata

C.5.S1
Tenebrae factae sunt

1

Sources

C

A-KN 452/4

Details

Identification

TumW C.5.S1

ARKs

ark:68748/ft1c5s1 (human-readable catalogue entry)
ark:68748/ft1c5s1.mei (metadata in MEI format)
ark:68748/ft1c5s1.score (full score)

Author(s)

unknown

Scoring

coro (S, A, T, B), 2 vl, vlne, org

Genre

responsorium

Place and date of composition

unknown, 2nd half 18th century

Performance(s)

(none documented)

Editions

Notes

The compositional style of this work rules out Tůma as author. It has been attributed to Ignoto on each part; however the org part also contains the attribution Tuma.

Music

1 Tenebrae factae sunt

Tempo	Andante
Key	B♭ major
Meter
Extent	79 bars
Scoring	coro (S, A, T, B), 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-KN 452/4 (catalogue entry)

RISM

–

Publication, dating

18th century

Scribe(s)

unidentified (black ink)

Title page(s)

[cover]

Tenebrae | in B | Ignotus

Physical description

8 parts
30.5 × 20.5 cm
hand-ruled paper, 11 staves (10 mm)

Components and notes

• S coro (1), A coro (1), T coro (1), B coro (1), vl 1 (1), vl 2 (1), vlne (1), org (1)

Download metadata

C.6 Miscellaneous

C.6.1
Exaudivit de templo

Identifiers
ARK	ark:68748/ft1c61
Sources	A-KN 413
Notes
References
Inventories	Klosterneuburg inventory A (1790, p. 166, no. 7)
Editions

C.6.2
Veni Sancte Spiritus

1

Sources

C

A-KN 464/2

Details

Identification

TumW C.6.2
KliCh Sequences 6
VogIn A.VIII.6

ARKs

ark:68748/ft1c62 (human-readable catalogue entry)
ark:68748/ft1c62.mei (metadata in MEI format)
ark:68748/ft1c62.score (full score)

Scoring

soli (S, A), coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Genre

antiphon

Place and date of composition

Vienna (?), mid 18th century

Performance(s)

(none documented)

Inventories

Klosterneuburg inventory A (1790, p. 162, no. 5), Klosterneuburg inventory B (1831, p. 538, no. 1), Klosterneuburg inventory C (1815, vol. 2, p. 37, no. 4)

Editions

Notes

Despite its earlier classification as sequence, this work is actually an antiphon, since it sets the text “Veni Sancte Spiritus, reple tuorum corda fidelium” (Cantus Index 005327) to music.

Music

1 Veni Sancte Spiritus

Tempo	Allegro moderato – Presto
Key	D major
Meter
Extent	60 bars
Scoring	soli (S, A), coro (S, A, T, B), 2 trb, 2 vl, vlne, org

Sources

Manuscript copy

Classification

notated music · manuscript · copy · parts · fair copy · complete

Location(s)

A-KN 464/2 (catalogue entry)

RISM

–

Publication, dating

mid 18th century

Scribe(s)

Joseph Leysser (black ink)

Title page(s)

[cover title]

VENI SANCTE | in D | Tuma

Physical description

14 parts
32 × 20 cm
hand-ruled paper, 10 staves (11 mm)

Components and notes

• S solo and coro (2), A solo and coro (2), S coro (2), A coro (2), T coro (2x; 2, 2), B coro (2x; 2, 2), trb 1 (2), trb 2 (1), vl 1 (3), vl 2 (3), vlc (2), org (2)

Download metadata

Anderson, S. (Ed.). (unknowna). Almo factori: ME006 [Score and parts]. Ithaca, NY: Ensemble Publications.

Anderson, S. (Ed.). (unknownb). Inno per Festo di St. Teresia (1741): ME007 [Score and parts]. Ithaca, NY: Ensemble Publications.

Brtnice inventory. (ca. 1750). Inventario per la musica. Manuscript, CZ-Bm G 84. Retrieved from https://www.manuscriptorium.com/apps/index.php?direct=record&pid=AIPDIG-MZM___G_84________0F2M953-cs

Eybl, M. (1996). Die Kapelle der Kaiserinwitwe Elisabeth Christine (1741–1750) I: Stellung am landesfürstlichen Hof und Hauptkopisten. Studien Zur Musikwissenschaft, 45, 33–66. reproduced in Eybl (2022).

Eybl, M. (2022). Die Kapelle der Kaiserinwitwe Elisabeth Christine 1741–1750. In Sammler*innen. Musikalische Öffentlichkeit und ständische Identität, Wien 1740–1810 (pp. 121–163). Bielefeld: transcript Verlag. https://doi.org/10.14361/9783839462676

Haberkamp, G. (1986). Die Musikhandschriften der Benediktiner-Abtei Ottobeuren (Kataloge Bayerischer Musiksammlungen Band 12). München: G. Henle Verlag.

Hägele, F. (Ed.). (2011). O magnum mysterium: BU 2454 [Score and parts]. Bonn: Dr. J. Butz Musikverlag.

Herzogenburg inventory. (1751). CATALOGUS Selectiorum Musicalium Chori Ducumburgensis quibus accedunt Instrumenta musica, Diarium Cantus Figuralis, aliarumque functionum Musicae totius Anni e Index Generalis Catalogi Conscripti Anno 1751. Manuscript, A-H Ms 491. Retrieved from https://manuscripta.at/diglit/AT3600-491/0001

Herzogenburg inventory. (1774). CATALOGUS Selectiorum Musicalium Chori Ducumburgensis quibus accedunt Instrumenta musica in fine. Manuscript, A-H Ms 492. Retrieved from https://manuscripta.at/diglit/AT3600-492/0001

Klinka, T. M. (Ed.). (1975a). Motetto del Santissimo (Adeste animae) (pp. 177–191) [Score]. Iowa City: The University of Iowa.

Klinka, T. M. (Ed.). (1975b). Motetto del Santissimo (O, quam suavis est) (pp. 158–176) [Score]. Iowa City: The University of Iowa.

Klinka, T. M. (Ed.). (1975c). Motetto del Santissimo Sacramento (Venite ad me omnes) (pp. 137–148) [Score]. Iowa City: The University of Iowa.

Klinka, T. M. (Ed.). (1975d). Motetto della Madonna (pp. 192–205) [Score]. Iowa City: The University of Iowa.

Klinka, T. M. (Ed.). (1975e). Motetto per il festo di natale del Signor Nostro (pp. 206–220) [Score]. Iowa City: The University of Iowa.

Klinka, T. M. (Ed.). (1975f). Motettum de Sancta Maria Magdalena (pp. 149–157) [Score]. Iowa City: The University of Iowa.

Klosterneuburg inventory A. (1790). Leopold Joseph Schmid: Catalogus deren Auf diesem löbl: Stift Chor befindlichen Musicalien und Instrumenten. Manuscript, A-KN. Retrieved from https://db.klostermusiksammlungen.at/catalogs/1. Cited after Preisl (2022).

Klosterneuburg inventory B. (1831). Manuscript, A-KN. Retrieved from https://db.klostermusiksammlungen.at/catalogs/9. Cited after Preisl (2022).

Klosterneuburg inventory C. (1815). Manuscript, A-Wgm 788/18. Cited after Preisl (2022).

Klosterneuburg inventory E. (ca. 1850). Manuscript, A-KN. Retrieved from https://db.klostermusiksammlungen.at/catalogs/2. Cited after Preisl (2022).

Leidemann, S. (Ed.). (2023). Offertorium de S. Michele (Barokk zene II.) [Score]. Pilisborosjenő: Morning Art Records.

Lindberg, C. (Ed.). (unknowna). Almo factori from Motetto de Tempori (1742) [Score]. Stockholm: Edition Tarrodi.

Lindberg, C. (Ed.). (unknownb). Inno per Festo di St. Teresia (1741) [Score]. Stockholm: Edition Tarrodi.

Lukeš, M. (2021). Hudební sbírka z kostela Nanebevzetí Panny Marie a sv. Jana Nepomuckého v Kvasicích a její tematický katalog (PhD thesis, Masarykova univerzita). Masarykova univerzita, Brno. Retrieved from https://theses.cz/id/d792wu/

Pulkert, O. (1973). Domus Lauretana Pragensis. Catalogus collectionis operum artis musicae. Pars prima – Catalogus. Pars secunda – Operum artis musicae initia transcripta et indices. Praha: Editio Supraphon.

Riedel, F. W. (1979). Der Göttweiger thematische Katalog von 1830. Band 1: Faksimile der Originalhandschrift. Band 2: Historisch-quellenkundliche Bemerkungen, Kommentar und Register. München–Salzburg: Katzbichler. Retrieved from https://db.klostermusiksammlungen.at/catalogs/3

Schmid, O. (1901). Musik und Weltanschauung. Die böhmische Altmeisterschule Czernohorskys und ihr Einfluss auf den Wiener Classicismus. Mit besonderer Berücksichtigung Franz Tumas. Eine Kunst- und Kulturgeschichtliche Studie. Leipzig: Hermann Seemann Nachfolger.

Schmid, O. (Ed.). (1902). Weihnachtshymnus: Blätter für Haus- und Kirchenmusik 6 (pp. 65–74) [Score]. Langensalza: Herman Beyer & Söhne.

Sherman, C. H. (2001). The Lambach Thematic Catalogue (1768). A Facsimile Edition with Annotations and Commentary. Hillsdale, NY: Pendragon Press.

Štefan, J. (1985). Ecclesia Metropolitana Pragensis Catalogus Collectionis Operum Artis Musicae. Pars Secunda: Auctorum Nominibus Signata Opera Manu Scripta L–Z. Praha: Supraphon.

Straková, T. (1963). Brtnický hudební inventář. Časopis Moravského Musea, 48, 199–234.

Straková, T. (1965). Das Musikalieninventar von Pirnitz (Brtnice). Sborník Prací Filozofické Fakulty Brněnské Univerzity. F, Řada Uměnovědná, 14(F9), 279–287.