ark:68748/ft1a22 </titleStmt> <pubStmt> <respStmt> <resp>Publisher</resp> <corpName role=""> <abbr/> <expan/> <address> <addrLine/> <addrLine> <ptr/> </addrLine> </address> </corpName> <persName role="editor">Wolfgang Esser-Skala</persName> </respStmt> <date/> <availability> <useRestrict>CC BY-SA 4.0</useRestrict> </availability> </pubStmt> <seriesStmt> <title>František Ignác Antonín Tůma: A thematic catalogue of his works TumW MerMEId A.22 B.I.4 Masses 53 C9 1 A.I.1 Messa All’Onor’è Preggio del Gran’ Patriarcha San Benedetto Missa Quoniam Magnus es tu Missa Sancti Benedicti Missa Sancti Francisci František Ignác Antonín Tůma not later than 1739 Vienna (?) 1747-05-21 Ottobeuren 1749-04-21 Ottobeuren 1751 Schottenstift Vienna 1753-06-12 Göttweig 1756-07-11 Ottobeuren 1847-06-19 Schottenstift Vienna 1849 Schottenstift Vienna 1850 Schottenstift Vienna 1851-02-16 Schottenstift Vienna 1853-02-20 Schottenstift Vienna 1854-03-05 Schottenstift Vienna 1855-03-04 Schottenstift Vienna 1859-02-20 Schottenstift Vienna 1866-02-25 Schottenstift Vienna Bibliography inventory @KlosterneuburgInvA [p. 45, no. 1] inventory @BrtniceInv [p. 108d, no. 1] reference @Peschek1956 [p. 195-203] reference @Strakova1963 reference @Strakova1965 inventory @Riedel1979 [p. 103, no. 629] inventory @Haberkamp1986 [p. 207] reference @Czernin1995 inventory @Sherman2001 [{p. 47, no. 4, p. 339, no. 257}] inventory @HerzogenburgInvA [p. 25, no. 49] inventory @HerzogenburgInvB [fol. 8r, no. 59]

All extant sources (except for those in A-Ws) only comprise the Kyrie of this work, while Gloria to Agnus Dei are from the mass TumW A.24.

 mass <incip> <graphic target="main_1" targettype="lowres"/> <graphic target="main_2" targettype="lowres"/> <graphic target="main_3" targettype="lowres"/> <graphic target="main_4" targettype="lowres"/> <graphic target="main_5" targettype="lowres"/> <graphic target="main_6" targettype="lowres"/> </incip> <creation> <date/> <geogName role=""/> </creation> <history/> <perfMedium xmlns:xl="http://www.w3.org/1999/xlink" xmlns:xs="http://www.w3.org/2001/XMLSchema"> <perfResList> <perfResList auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="cve" label="soli"> <head xml:lang="en">soli</head> <perfRes auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="vso" xml:lang="en">S</perfRes> <perfRes auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="val" xml:lang="en">A</perfRes> <perfRes auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="vte" xml:lang="en">T</perfRes> <perfRes auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="vbs" xml:lang="en">B</perfRes> </perfResList> <perfRes codedval="bcl" count="2" solo="false" auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/">clno</perfRes> <perfRes codedval="btr" count="2" solo="false" auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/">tr</perfRes> <perfRes codedval="btb" count="2" solo="false" auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/">trb</perfRes> <perfRes codedval="pti" count="1" solo="false" auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/">timp</perfRes> <perfRes codedval="svl" count="2" solo="false" auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/">vl</perfRes> <perfRes codedval="svc" count="1" solo="false" auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/">vlc</perfRes> <perfRes codedval="sve" count="1" solo="false" auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/">vlne</perfRes> <perfRes codedval="kor" count="1" solo="false" auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/">org</perfRes> <perfResList auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="cmi" label="coro"> <head xml:lang="en">coro</head> <perfRes auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="vso" xml:lang="en">S</perfRes> <perfRes auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="val" xml:lang="en">A</perfRes> <perfRes auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="vte" xml:lang="en">T</perfRes> <perfRes auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="vbs" xml:lang="en">B</perfRes> </perfResList> </perfResList> </perfMedium> <classification> <termList> <term/> </termList> </classification> <componentList> <expression n="1"> <title xml:lang="gr">Kyrie

Adagio soli S A T B clno tr trb timp vl vlne org coro S A T B 215 bars Kyrie eleison

Adagio – Allegro soli S A T B clno tr trb timp vl vlne org coro S A T B 59 bars

bars 1–7: Adagio

Christe eleison

Andante soli S B vl vlne org 98 bars Kyrie eleison

Adagio – Allegro clno tr trb timp vl vlne org coro S A T B 58 bars

bars 1–3: Adagio

Gloria

Allegro soli S A T B clno tr trb timp vl vlc vlne org coro S A T B 315 bars Gloria in excelsis

Allegro clno tr trb timp vl vlne org coro S A T B 33 bars Laudamus te

Andante – [Adagio] – Allegro clno tr trb timp vl vlne org coro S A T B soli A T 46 bars

Adagio (for Adoramus te) does not appear in the autograph manuscript

 Gratias agimus tibi

Tempo giusto soli S vlc vlne org 38 bars

vlc solo

 Domine Deus

Tempo giusto clno tr trb timp vl vlne org coro S A T B 42 bars Qui tollis

Larghetto soli A trb vlne org 65 bars

a-trb solo

 Qui sedes

Larghetto – Adagio trb vl vlne org coro S A T B 12 bars Quoniam

Allegro soli B clno vl vlne org 45 bars

clno solo

 Cum Sancto Spiritu

Allegro clno tr trb timp vl vlne org coro S A T B 34 bars Credo

Allegro soli S A T B clno tr trb timp vl vlne org coro S A T B 178 bars Credo in unum Deum

Allegro clno tr trb timp vl vlne org coro S A T B 48 bars Et incarnatus est

Larghetto trb vl vlne org coro S A T B soli T B 33 bars

trb 1/2 solo

 Et resurrexit

Allegro clno tr trb timp vl vlne org coro S A T B 38 bars Et in Spiritum

Andante clno tr trb timp vl vlne org coro S A T B soli S A T B 27 bars Et vitam

Allegro clno tr trb timp vl vlne org coro S A T B 32 bars Sanctus

Adagio coro S A T B clno tr trb timp vl vlne org 32 bars Sanctus

Adagio coro S A T B trb vl vlne org 11 bars Pleni sunt coeli

Allegro coro S A T B clno tr trb timp vl vlne org 21 bars Benedictus

Andante coro S A T B soli S clno tr trb timp vl vlne org 58 bars Benedictus

Andante soli S vl vlne org 44 bars Osanna

Allegro coro S A T B clno tr trb timp vl vlne org 14 bars Agnus Dei

Adagio coro S A T B soli T clno tr trb timp vl vlne org 65 bars Agnus Dei

Adagio coro S A T B soli T clno tr trb timp vl vlne org 18 bars

trb 1/2 solo

 Dona nobis pacem

Allegro coro S A T B clno tr trb timp vl vlne org 47 bars Autograph manuscript ca. 1739 Notated music Manuscript Autograph Score Fair copy Complete 28 (height in cm) 38 (height in char) lines

[at left] All’Onor’è Preggio del Gran’ Patriarcha San Benedetto: Meſsa à 4. Voci, con Stromenti. [at right] Di Franc: Tuma | [manu propria]

Messe in C d. | von | F. Tuma

 21 fol. František Ignác Antonín Tůma

hand-ruled paper, 16 staves (8 mm)

 A-Ws E 3/26 Manuscript copy ca. 1750 Notated music Manuscript Copy Parts Fair copy Complete

Miſsa. Quoniam Magnus es tu. | â | Canto. Alto. | Tenore. Baſso. | Violinis. 2bus | Trombon. 2bus | Clarinis 2bus Concert. | Tympano | Con | Organo | Auth: Domio Thuma. | Chori Gottwici.

 12 parts 33 (height in cm) 25 (height in cm) lines P. Maurus

hand-ruled paper, 13 staves (11 mm)

 A-GÖ 629

S solo and coro (6), A solo and coro (6), T solo and coro (5), B solo and coro (5), clno 1 (3), clno 2 (2), trb 1 (4), trb 2 (4), timp (2), vl 1 (6), vl 2 (5), org (8)

only comprises Kyrie of this work; Gloria to Agnus Dei are from the mass TumW A.24

 Manuscript copy ca. 1750 Notated music Manuscript Copy Parts Fair copy Complete 600090623 32 (height in cm) 24 (height in cm) lines

Miſsa | S: Francisci | à 4 Voc: 6. stroment: | Canto, Alto, Tenore Baſso Conct: | 2 Violini Conct: 2 Clarini Conct: | con Tympano. Violone con | Organo | Partes. 11 Del Signore Tuma | [at bottom, glued-on piece of paper, printed] Am 10. X. 1913 aus der | Neuklosterbibliothek | zu Wr.-Neustadt über- | nommen durch | P. Norbert Hofer.

 12 parts unidentified

hand-ruled paper, 14 staves (10 mm)

 A-HE VIII a 5:2

S solo and coro (9), A solo and coro (9), T solo and coro (8), B solo and coro (8), clno 1 (3), clno 2 (2), a-trb (2), timp (2), vl 1 (9), vl 2 (8), vlne (12), org (14)

only comprises Kyrie of this work; Gloria to Agnus Dei are from the mass TumW A.24

 Manuscript copy 1739–1746 Notated music Manuscript Copy Parts Fair copy Complete 603001578 32 (height in cm) 21 (height in cm) lines

Miſsa | à 14 Instr: | 4 vocibus | Soprano Conc:to. | Alto Concerto. | Tenore Conc:to | Baſso Conc:to: | Violino Primo: oblig.to: | Violino Secundo. Conc: | 2 Clarino obliga:to: | 2 Trombon Conc:to: | 2 Trombae | Timpano | Con | Organo | Del: Sig:re Francesco Tuma | Patre florentio | A F L:

 14 parts Joseph Tischer

hand-ruled paper, 10 staves (10 mm)

 A-LA M 458

S solo and coro (19), A solo and coro (16), T solo and coro (14), B solo and coro (15), clno 1 (5), clno 2 (4), tr 1 (4), tr 2 (3), trb 1 (9), trb 2 (9), timp (4), vl 1 (13), vl 2 (12), org (18)

only comprises Kyrie of this work; Gloria to Agnus Dei are from the mass TumW A.24

 Manuscript copy 1745 Notated music Manuscript Copy Parts Fair copy Complete 32 (height in cm) 21 (height in cm) lines

Miſsa ex C. | Canto. Alto. | Tenore. Baſso. | Violini 2. | Tromboni 2. conc: | Clarini 2. conc: | Organo | [in pencil] ad probam | L: R: Dcl. | 1745. Sigre Thuma.

 11 parts unidentified

hand-ruled paper, 10 staves (10 mm)

 A-SEI E VII 3 f

S solo and coro (6), A solo and coro (6), T solo and coro (6), B solo and coro (6), clno 1 (2), clno 2 (3), trb 1 (7), trb 2 (4), vl 1 (10), vl 2 (9), org (14)

only comprises Kyrie of this work; Gloria to Agnus Dei are from the mass TumW A.24

 Manuscript copy 1739 Notated music Manuscript Copy Parts Fair copy Complete 32 (height in cm) 21 (height in cm) lines

Miſsa. | Sancti Benedicti. | â 4 Voci: | 2. Violinis. | 2. Trombonis. | 2. Clarinis. | [cancelled with red pencil] 2. Trombis. { in Conc:to | 1. Tympano. | Organo, Violoncello Conc: | Violone, Fagotto. | Con | Ripieni | Partes 46. | 1739 | Del Sig.re Fran: | Tuma.

 28 parts unidentified

hand-ruled paper, 10 staves (12 mm)

 A-Ws E 3/20

S solo and coro (14), A solo and coro (16), T solo and coro (2x; 15, 9), B solo and coro (16), S coro (2x; 6, 7), A coro (14), T coro (13), B coro (12), fag (20), clno 1 (6), clno 2 (5), tr 1 (4), tr 2 (4), trb 1 (12), trb 2 (11), timp (4), vl 1 (3x; 16, 16, 10), vl 2 (3x; 18, 19, 10), vlc (23), vlne (22), org (23), mdc (7)

 Manuscript copy 2nd half 18th century Notated music Manuscript Copy Parts Fair copy Complete 550248353 lines

Missa | à 4 voci | con stromenti. | Del Sig: Franc: Tuma

 15 parts unidentified

29 x 22, 26 x 20, or 36.5 x 22 cmhand-ruled paper

 CZ-Pkřiž XXXV B 19

S solo and coro, A solo and coro, T solo and coro, B solo and coro, ob, clno 1, clno 2, tr 1, tr 2, trb 1, trb 2, vl 1, vl 2, vlne, org

only comprises Kyrie of this work; Gloria to Agnus Dei are from the mass TumW A.24

old signature: 1612 (or 6501)

catalogued according to RISM entry

 Manuscript copy ca. 1747 Notated music Manuscript Copy Parts Fair copy Incomplete 450008347 32.5 (height in cm) 21 (height in cm) lines

S. Gabrielis Arch: | Miſsa | â | 4. voc: Concti | Canto = Alto. | Tenore = Baſso. | 2. = Violini. | 2. = Tromboni | 2. Clarini è Tympano. | Con. | Organo. | & | Violone. | Authore Dño. | Francesco Tumma.

 10 parts unidentified

hand-ruled paper, 10 staves (11 mm)

 D-OB MO 811

S solo and coro (19), A solo and coro (19), T solo and coro (17), B solo and coro (15), trb 1 (11), trb 2 (11), vl 1 (16), vl 2 (15), vlne (14), org (23); clno 1/2 and timp missing

only comprises Kyrie of this work; Gloria to Agnus Dei are from the mass TumW A.24